Search

Begin New Search Topic Culture

81. Photo Poetics: Chinese Lyricism and Modern Media Culture

Author:
Shengqing Wu, Ying Qian, and Alexander Alberro
Publication Date:
03-2022
Content Type:
Video
Institution:
Weatherhead East Asian Institute, Columbia University
Abstract:
Chinese poetry has a long history of interaction with the visual arts. Classical aesthetic thought held that painting, calligraphy, and poetry were cross-fertilizing and mutually enriching. What happened when the Chinese poetic tradition encountered photography, a transformative technology and presumably realistic medium that reshaped seeing and representing the world? This event is organized by the Weatherhead East Asian Institute and cosponsored by the Department of East Asian Languages and Cultures, and the Center for Comparative Media, all at Columbia University.
Topic:
Arts, Culture, Media, and Buddhism
Political Geography:
China and Asia

82. The Buddhist Dream Tale: Past and Present

Author:
Francisca Cho and Seong Uk Kim
Publication Date:
03-2022
Content Type:
Video
Institution:
Weatherhead East Asian Institute, Columbia University
Abstract:
Kim Manjung's Kuunmong, or Dream of the Nine Clouds, was written by a scholar-official and he turned to the Buddhist trope that "life is nothing but a dream" in order to express his doubts and disappointment about the Confucian social structure in which he lived. The speaker argues that the dream tale turns the act of fiction writing into a Buddhist philosophical exercise, and she will draw out this argument by considering how the medium of fiction functions in a ritual way. In this vein, she brings the dream tale into the present by considering the experience of cinema as an analogue. This event is cosponsored by the Center for Korean Research and the Weatherhead East Asian Institute.
Topic:
Religion, Arts, Culture, and Literature
Political Geography:
Asia

83. China's Colonial Boarding Schools in Tibet

Author:
Lhadon Tethong, Freya Putt, Jia Luo, Tenzin Dorjee, and Andy Nathan
Publication Date:
04-2022
Content Type:
Video
Institution:
Weatherhead East Asian Institute, Columbia University
Abstract:
Chinese government policies are forcing three out of every four Tibetan students into a vast network of colonial boarding schools, separating children as young as four from their parents. According to a recent report by Tibet Action Institute, the schools are a cornerstone of Xi Jinping’s campaign to supplant Tibetan identity with a homogenous Chinese identity in order to neutralize potential resistance to Chinese Communist Party (CCP) rule. The report, “Separated From Their Families, Hidden From the World: China’s Vast System of Colonial Boarding Schools Inside Tibet,” finds that an estimated 800,000 to 900,000 Tibetan students aged six to 18, as well as an unknown number of four and five-year olds, are in these state-run schools. This panel will discuss how the schools function as sites for remolding children into Chinese nationals loyal to the CCP.
Topic:
Education, Culture, Children, Colonialism, and Boarding Schools
Political Geography:
China, Asia, and Tibet

84. Making Art Amid Mayhem

Author:
Carlos Egaña
Publication Date:
03-2022
Content Type:
Commentary and Analysis
Institution:
The North American Congress on Latin America (NACLA)
Abstract:
For a Venezuelan artist, photography offers a democratic means of expression and experimentation from differing viewpoints.
Topic:
Arts, Culture, and Photography
Political Geography:
South America and Venezuela

85. Promoting the Inclusion of Europe’s Migrants and Minorities in Arts and Culture

Author:
Lucía Salgado and Liam Patuzzi
Publication Date:
03-2022
Content Type:
Special Report
Institution:
Migration Policy Institute (MPI)
Abstract:
Decades of sustained immigration have transformed many European cities into mosaics of different cultures. Yet this diversity is not always mirrored in the art celebrated in museums, the plays produced in major theaters, and the music heard in concert halls. In addition, well-intended efforts to celebrate ethnic and cultural diversity through art and culture run the risk of overemphasizing differences, exoticizing minority groups rather than contributing to the normalization of diversity within society. But this status quo may be changing. Widespread anti-racism protests have prompted long-overdue conversations about mis- and under-representation of minorities as well as discrimination in the cultural scene. At the same time, pandemic-related restrictions have placed further financial strains on the already fragile cultural sector, challenging organizations to reach new audiences in new ways. This MPI Europe report, which draws on interviews with cultural professionals from 11 European countries, explores approaches to strengthening the participation of migrant and minority communities in arts and culture, with potential benefits for immigrant integration outcomes, social cohesion, and the vibrancy and sustainability of cultural institutions. It examines migrants’ and minorities’ inclusion on three levels: as visitors of cultural venues and consumers of art, as featured artists and performers, and as leaders and staff within cultural institutions. The research was conducted within the framework of the Urban Agenda Partnership on the Inclusion of Migrants and Refugees, co-led by the City of Amsterdam and the European Commission and funded by the European Commission's Directorate-General for Migration and Home Affairs.
Topic:
Arts, Culture, Employment, Citizenship, Economy, Integration, Identity, Inclusion, Civic Engagement, and Immigration Policy
Political Geography:
Europe

86. Finding a New Idiom: Language, Moral Decay, and the Ongoing Nakba

Author:
Elias Khoury
Publication Date:
03-2022
Content Type:
Working Paper
Institution:
Institute for Palestine Studies
Abstract:
This essay is a translated and edited version of the Anis Makdisi Program in Literature lecture delivered by the author in May 2021. The talk, on the uprising sweeping every Palestinian geography from the river to the sea, was constructed as a series of illustrative stories. Their distillation, as Khoury points out, is that there will be no end to the Palestinian question so long as there exists a people continually prepared to resist the ongoing Nakba. “It is enough,” Khoury concludes, “that with this uprising Palestine has recovered the alphabet, leaving us to create a new idiom.”
Topic:
Culture, Language, Nakba, Resistance, and Storytelling
Political Geography:
Middle East and Palestine

87. Design to Live: Everyday Inventions from a Refugee Camp

Publication Date:
04-2022
Content Type:
Video
Institution:
MIT Center for International Studies
Abstract:
Panel discussion with experts :: Part of the Myron Weiner Seminar Series on International Migration Panelists: Azra Akšamija, an artist and architectural historian, is Director and Founder of the MIT Future Heritage Lab (FHL) and Associate Professor in the MIT Department of Architecture and the Program in Art, Culture, and Technology. Raafat Majzoub, an architect, artist, and writer, is Director of The Khan: The Arab Association for Prototyping Cultural Practices and Editor-in-Chief of the Dongola Architecture Series. Melina Philippou, an architect and urbanist, is Program Director of the MIT Future Heritage Lab, founder of Trapezui: Marble Objecthoods and Associate at the Department of City Planning, Ministry of Interior in Cyprus. Moderator: John Tirman is the executive director and a principal research scientist at MIT's Center for International Studies. Tirman is author, or coauthor and editor, of fourteen books on international affairs, including, Dream Chasers: Immigration and the American Backlash (MIT Press, 2015) and The Deaths of Others: The Fate of Civilians in America’s Wars (Oxford University Press, 2011). About the book, Design to Live: Everyday Inventions from a Refugee Camp: The power of art and design to create a life worth living: designs, inventions, and artworks from the Azraq Refugee Camp in Jordan. This book shows how refugees use art and design to transform their living environments, restoring humanity within circumstances that seem aimed at depriving them of it. Featuring more than twenty projects created by Syrian refugees at the Azraq Refugee Camp in Jordan, Design to Live offers a new way of understanding design as a subversive worldmaking practice and as tool for reclaiming agency in conditions of forced displacement. The projects—including a vertical garden, an arrangement necessitated by regulations that forbid planting on the ground; a front hall, fashioned to protect privacy; a baby swing, made from recycled school desks; and a chess set, carved from broomsticks—showcase the discrepancy between standardized humanitarian design and the real sociocultural needs of refugees.
Topic:
Arts, Culture, Refugees, and Humanitarian Crisis
Political Geography:
Global Focus

88. The Culture-Promotion Effect of Multinationals on Trade: the IKEA case

Author:
Dylan Bourny, Daniel Mirza, and Jamel Saadaoui
Publication Date:
07-2022
Content Type:
Working Paper
Institution:
Centre d'Etudes Prospectives et d'Informations Internationales (CEPII)
Abstract:
In this paper, we investigate how some MNEs which spread their home culture over time and space to the rest of the world are affecting, in turn, trade flows from home. By selling products embodying cultural information related to their country of origin, those MNEs embrace the role of ambassadors of their home country. We argue that IKEA offers an ideal case to identify a multinational's culture-promotion effect on trade. We build a dataset on IKEA's presence in foreign markets between 1995 and 2015 and merge it with disaggregated product level trade between pairs of countries. We find solid evidence of an externality linked to IKEA: a setting of an IKEA new store in a destination increases trade flows by around 2% from Sweden for products that resemble to what the multinational offers (despite being completely unrelated to that multinational). This result is driven primarily by the products identified to encompass a high-cultural content. Other robustness checks and tests seem to be very much consistent with the hypothesis of IKEA promoting the Swedish culture to the world.
Topic:
Globalization, International Trade and Finance, Culture, and Multinational Corporations
Political Geography:
Global Focus

89. A Salute to Cultural Diplomacy and Those Who Make It Possible

Author:
Renee M. Earle
Publication Date:
08-2022
Content Type:
Journal Article
Journal:
American Diplomacy
Institution:
American Diplomacy
Abstract:
What do James Brown, Joseph Heller, Mikhail Baryshnikov, and the U.S. Sixth Fleet Band have in common? They all supported U.S. cultural diplomacy abroad. Not all of our cultural ambassadors are as famous— most are not — but together a very wide variety of American artists, performers, and writers have had positive impact on the image of the United States throughout the world. U.S. cultural diplomacy also includes many examples of citizen diplomacy and philanthropy, whether in partnership with U.S. embassies or independently. Together, these programs positively project our values abroad.
Topic:
Culture, Soft Power, and Cultural Diplomacy
Political Geography:
Turkey, France, North America, Brussels, Czech Republic, and United States of America

90. Language and Cultural Immersion Build Effective Communication

Author:
Bruce K. Byers
Publication Date:
11-2022
Content Type:
Journal Article
Journal:
American Diplomacy
Institution:
American Diplomacy
Abstract:
Foreign language competency and cultural understanding are acknowledged as important skills for diplomats. While many Foreign Service Officers receive such training in Washington before going to an overseas assignment, few have the opportunity for the deep cultural and language immersion that I enjoyed as part of my first assignment for the U.S. Information Agency (USIA). In early 1972, after completing seven months of Farsi language training at the Foreign Service Institute (FSI), I was posted to USIS Tehran. My family and I arrived shortly before the Persian new year, Now Ruz, and took up residence in an embassy apartment. Dave Dubois, the Public Affairs Officer, with the concurrence of the embassy Deputy Chief of Mission and USIA’s Office of Near East and South Asian Affairs (NEA), had arranged for me to spend some time with a host family in Isfahan. It was a “deep immersion” experience in which I would continue learning Farsi and experience life with a local family for several weeks.
Topic:
Diplomacy, Culture, Language, and Memoir
Political Geography:
Iran, Middle East, and United States of America

91. Tabletop Debates: reflections on molokhia, identity, and forks vs spoons

Author:
Antonio Tahhan
Publication Date:
08-2022
Content Type:
Special Report
Institution:
Center for Contemporary Arab Studies (CCAS)
Abstract:
Molokhia—an iconic Middle Eastern and North African soup—can be notoriously slimy. But when I lived in Aleppo, my aunt taught me three tricks to keep the slime at bay: first, leave the molokhia leaves whole (as opposed to chopped); second, squeeze a lemon over the leaves as soon as you add them to the pot; and third, do not overcook them. “This is how we cook molokhia,” my aunt said. The “we” was vague. Did she mean Aleppans? Other Syrians? “Egyptians—they make it the slimy way,” she added, raising a skeptical eyebrow. This led me to wonder: is there such a thing as a “Syrian molokhia” distinct from an “Egyptian molokhia”? In what ways does this dish unite, but also cut through, imagined national categories, in the Arab world and beyond?
Topic:
Food, Culture, Diversity, Identity, Molokhia, and Cooking
Political Geography:
Middle East and North Africa

92. How MAAS alum and food historian Anny Gaul studies cookbooks

Author:
Vicki Valosik
Publication Date:
08-2022
Content Type:
Special Report
Institution:
Center for Contemporary Arab Studies (CCAS)
Abstract:
Cookbooks can teach us how to braise a lamb shank, thicken a sauce, or bake a perfect pie crust. But for MAAS alum Anny Gaul (’12), a cultural historian of food and gender, they can do so much more. “Cookbooks can tell us something significant about norms and ideals, what is good taste, what is good food, and how those questions are connected to who we are as a nation,” says Gaul. That is an argument Gaul explores in her recent Global Food History article “From Kitchen Arabic to Recipes for Good Taste: Nation, Empire, and Race in Egyptian Cookbooks.” In Gaul’s paper, which earned her the Global Food History Prize for an Emerging Food Historian, she takes a deep dive into a unique literary sub-genre: cookbooks written by Egyptian women between the 1880s and 1950s. This was a period in Egypt, says Gaul, when female literacy was on the rise, girls were going to school in greater numbers, and women were beginning to pursue degrees abroad. Domestic science was a popular choice, with programs in England and Europe training female students to run efficient and modern home kitchens. A cohort of these women returned to Egypt to author cookbooks that would become widely influential, finding receptive audiences among the country’s emerging middle-class housewives, as well as the public education system, which often adopted their books as home economics texts.
Topic:
History, Food, and Culture
Political Geography:
Middle East and North Africa

93. MENA Photography: More than your eyes can see

Author:
Lyne Sneige, Iman Ali, and Samar Hazboun
Publication Date:
08-2022
Content Type:
Video
Institution:
Middle East Institute (MEI)
Abstract:
MEI Arts and Culture Center Director Lyne Sneige speaks with photographers Iman Ali and Samar Hazboun, who are featured in MEI's latest gallery exhibition "More Than Your Eyes Can See: Contemporary Photography from the Arab World" - curated by Laila Abdul-Hadi Jadallah and in partnership with Tribe Magazine.
Topic:
Arts, Culture, and Photography
Political Geography:
Middle East and North Africa

94. Between the Sky and the Earth: Contemporary Art from the UAE

Author:
Afra Aldhaheri and Asma Belhamar
Publication Date:
02-2022
Content Type:
Video
Institution:
Middle East Institute (MEI)
Abstract:
Afra Aldhaheri and Asma Belhamar, two featured artists in the MEI Art Gallery’s latest exhibition, Between the Sky and the Earth: Contemporary Art from the UAE, join MEI’s Lyne Sneige to discuss the inspirations and artistic processes behind their pieces in the show.
Topic:
Development, Arts, and Culture
Political Geography:
Middle East, United Arab Emirates, and Gulf Nations

95. Policy Papers by Women of Color: Decolonizing International Development

Author:
Tamara White, Aisha White, Gabrielle B. Gueye, Daniet Moges, and Eliza Gueye
Publication Date:
02-2022
Content Type:
Policy Brief
Institution:
Women of Color Advancing Peace, Security and Conflict Transformation (WCAPS)
Abstract:
This series explores a handful of scenarios where colonial legacies surface in international development and humanitarian aid work, from staffing and institution building to food aid and global tourism. Exploring these topics and seeking to deconstruct the systems and structures that impede success in development and humanitarian efforts is critically important in ensuring that we ultimately meet global goals and restore integrity to our sector. Many believe international development and humanitarian aid are irreconcilable and that this work is an extension of colonialism, but our constituency believes that there is hope in transforming the sector and shifting power to those who should rightfully own this work and reap the benefits of development.
Topic:
Development, Humanitarian Aid, Tourism, Culture, Neoliberalism, Decolonization, Institutions, COVID-19, and Food Assistance
Political Geography:
Global Focus and United States of America

96. Korean Soft Power Goals and US-Korea Relations

Author:
Jenna Gibson
Publication Date:
07-2022
Content Type:
Special Report
Institution:
East-West Center
Abstract:
Jenna Gibson, a PhD Candidate at the University of Chicago, explains why "listing off credibly popular cultural products coming out of South Korea and calling it soft power rings hollow" and how declarations of this type obscure the concept of soft power.
Topic:
Bilateral Relations, Culture, and Soft Power
Political Geography:
Asia, South Korea, North America, and United States of America

97. The Legal Role of Government in Protecting Cultural Heritage and Archaeological Sites in the War-Affected Countries: The Case of Iraq and Syria

Author:
Rukhsar Ahmad
Publication Date:
06-2022
Content Type:
Journal Article
Journal:
Journal of Liberty and International Affairs
Institution:
Institute for Research and European Studies (IRES)
Abstract:
Conserving cultural heritage and archaeological sites have become a serious national concern in the Middle East for the war-affected countries, including Iraq and Syria. Because looting and violence have caused massive destruction of cultural heritage and archaeological sites, this study aimed to analyze the legal background concerning the protection of cultural heritage and archaeological sites in the context of Iraq and Syria during 2014 with the rise of the Islamic State of Iraq and Syria (ISIS). This study used the content analysis method and cross-country analyses for Iraq and Syria. The study is guided by two main questions: What is the government's legal role in protecting cultural heritage and archaeological sites? Are there any legal authorities in Iraq and Syria to protect cultural heritage and archaeological sites during war and conflict? In the end, this paper suggests that protecting cultural heritage is the legal responsibility of government which is supposed to be enforced in the legal foundation of the state as a national sovereign power.
Topic:
War, Governance, Culture, Legal Theory, Heritage, and Archaeology
Political Geography:
Iraq, Middle East, and Syria

98. Book Talk. Contemporary Ukrainian and Baltic Art: Political and Social Perspectives

Publication Date:
02-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Please join the Ukrainian Studies Program at the Harriman Institute for a presentation of the book Contemporary Ukrainian Art and Baltic Art: Political and Social Perspectives (ibidem Press, 2021). The event will feature presentations by the volume’s editor Svitlana Biedarieva and contributors Ieva Astahovska, Olena Martynyuk, and Margaret Tali with moderator Mark Andryczyk (Harriman Institute). This volume focuses on political and social expressions in contemporary art of Ukraine, Estonia, Lithuania, and Latvia. It explores the transformations that art in Ukraine and the Baltic states has undergone since their independence in 1991, discussing how the conflicts and challenges of the last three decades have impacted the reconsideration of identity and fostered resistance of culture against economic and political crises. It analyzes connections between the past and the present as seen by the artists in these countries and looks at their visions of the future. Contemporary Ukrainian art portrays various perspectives, addressing issues from controversial historical topics to the present military conflict in the East of the country. Baltic art speaks out against the erasure of past historical traumas and analyzes the pertinence of its cultural scene to the European community. The contributions in this collection open a discussion of whether there is a single paradigm that describes the contemporary processes of art production in Ukraine and the Baltic countries. With contributions by Ieva Astahovska, Svitlana Biedarieva, Kateryna Botanova, Olena Martynyuk, Vytautas Michelkevičius, Lina Michelkevičė, Margaret Tali, and Jessica Zychowicz.
Topic:
Nationalism, Arts, Culture, and Identity
Political Geography:
Europe, Ukraine, Lithuania, Estonia, and Latvia

99. Internationalist Aesthetics: China and Early Soviet Culture by Edward Tyerman

Publication Date:
02-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Following the failure of communist revolutions in Europe, in the 1920s the Soviet Union turned its attention to fostering anticolonial uprisings in Asia. China, divided politically between rival military factions and dominated economically by imperial powers, emerged as the Comintern’s prime target. At the same time, a host of prominent figures in Soviet literature, film, and theater traveled to China, met with Chinese students in Moscow, and placed contemporary China on the new Soviet stage. They sought to reimagine the relationship with China in the terms of socialist internationalism—and, in the process, determine how internationalism was supposed to look and feel in practice. Internationalist Aesthetics offers a groundbreaking account of the crucial role that China played in the early Soviet cultural imagination. Edward Tyerman tracks how China became the key site for Soviet debates over how the political project of socialist internationalism should be mediated, represented, and produced. The central figure in this story, the avant-garde writer Sergei Tret’iakov, journeyed to Beijing in the 1920s and experimented with innovative documentary forms in an attempt to foster a new sense of connection between Chinese and Soviet citizens. Reading across genres and media from reportage and biography to ballet and documentary film, Tyerman shows how Soviet culture sought an aesthetics that could foster a sense of internationalist community. He reveals both the aspirations and the limitations of this project, illuminating a crucial chapter in Sino-Russian relations. Grounded in extensive sources in Russian and Chinese, this cultural history bridges Slavic and East Asian studies and offers new insight into the transnational dynamics that shaped socialist aesthetics and politics in both countries.
Topic:
Nationalism, Arts, Culture, and Identity
Political Geography:
Europe and Soviet Union

100. Book Talk. La Nijinska by Lynn Garafola

Publication Date:
03-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Overshadowed in life and legend by her brother Vaslav Nijinsky, Bronislava Nijinska had a far longer and more productive career. An architect of twentieth-century neoclassicism, she experienced the transformative power of the Russian Revolution and created her greatest work - Les Noces - under the influence of its avant-garde. Many of her ballets rested on the probing of gender boundaries, a mistrust of conventional gender roles, and the heightening of the ballerina's technical and artistic prowess. A prominent member of Russia Abroad, she worked with leading figures of twentieth-century art, music, and ballet, including Stravinsky, Diaghilev, Poulenc, Alexandra Exter, Natalia Goncharova, Frederick Ashton, Alicia Markova, and Maria Tallchief. She was also a remarkable dancer in her own right with a bravura technique and powerful stage presence that enabled her to perform an unusually broad repertory. Finally, she was the author of an acclaimed volume of memoirs in addition to a major treatise on movement. Nijinska's career sheds new light on the modern history of ballet and of modernism more generally, recuperating the memory of lost works and forgotten artists, many of them women. But it also reveals the sexism pervasive in the upper echelons of the early and mid-twentieth-century ballet world, barriers that women choreographers still confront. Lynn Garafola is Professor Emerita of Dance at Barnard College, Columbia University. A dance historian and critic, she is the author of Diaghilev's Ballets Russes and Legacies of Twentieth-Century Dance, and the editor of several books, including The Diaries of Marius Petipa, André Levinson on Dance (with Joan Acocella), José Limón: An Unfinished Memoir, and The Ballets Russes and Its World. She has curated several exhibitions, including Dance for a City: Fifty Years of the New York City Ballet, New York Story: Jerome Robbins and His World, Diaghilev's Theater of Marvels: The Ballets Russes and Its Aftermath, and, most recently, Arthur Mitchell: Harlem's Ballet Trailblazer.
Topic:
Arts, Culture, Feminism, Russian Revolution, and Gender
Political Geography:
Russia and Europe