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1. Islamic Jihad and Western Faith

Author:
Craig Biddle
Publication Date:
04-2015
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Islamic states and jihadists who attack and murder Westerners and other disbelievers are motivated to do so by their religion, Islam. Everyone paying attention knows this (including those who pretend not to).

2. Islam vs. Free Speech

Publication Date:
04-2015
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Charlie HebdoThat many Muslims oppose free speech—often violently—is again made obvious by this week's terrorist attacks in France. There, two groups of Muslim terrorists slaughtered sixteen people, twelve at or near the offices of Charlie Hebdo, a satirical publication that ran “offensive” images of Muhammad.
Topic:
Government
Political Geography:
France

3. Piketty's Rickety Assault on Capital

Author:
Richard M. Salsman
Publication Date:
04-2015
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Thomas Piketty's Capital in the Twenty-First Century makes an important contribution to the economic history of industrialization since the early 18th century. His collection of data on the distribution of income and wealth around the globe, drawn mainly from tax records, surveys, and national reports, is rigorous and comprehensive; no one before has collected such credible material in this important sub-field of economics. Piketty is also to be credited for presenting the data in scores of easy-to-interpret graphs and for making it available online for those wishing to verify the presentation and/or investigate alternative empirical patterns.
Topic:
Economics

4. Circumcision in America

Author:
Joseph England
Publication Date:
04-2015
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Every year throughout sub-Saharan Africa and the Middle East, between four and five million girls suffer gruesome genital mutilation at the hands of tribal “cutters” or circumcisers. Far from being regarded as barbaric criminals from whom children should be hidden, these wielders of sharpened rocks, broken glass, rusty metal, and (only sometimes) scalpels occupy a special position of power and influence in their communities. Parents voluntarily, sometimes enthusiastically, bring their young and infant daughters to be mutilated. Though methods vary in severity, in as many as 10 percent of cases, a cutter shears a girl's labia for “beauty,” excises her clitoris to deprive her of sexual pleasure later in life, and sews closed her vagina to ensure virginity until marriage.
Political Geography:
Africa, America, and Middle East

5. The Moral Case for Fossil Fuels

Author:
Alex Epstein
Publication Date:
04-2015
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Who would argue that producing and using fossil fuels is not only not shameful, but also positively virtuous? Alex Epstein would. And he has done so eloquently and thoroughly in his book, The Moral Case for Fossil Fuels.
Topic:
Government
Political Geography:
Germany

6. The Frackers

Author:
Gregory Zuckerman
Publication Date:
04-2015
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
The Frackers: The Outrageous Inside Story of the New Billionaire Wildcatters, the second book by Wall Street Journal reporter Gregory Zuckerman, tells the story of the development, over the past several decades, of the amazing technology by which oil and gas have been made to flow from previously unyielding stone, in quantities tallied in the hundreds of billions of barrels and trillions of cubic feet. Zuckerman's complex narrative crisscrosses the country to Texas, Oklahoma, Pennsylvania, and the badlands of Montana and the Dakotas. The book is the result of (among other things) more than a hundred hours of interviews with those whose story it tells; Zuckerman often uses the perspective gained from these firsthand accounts to give the story a fly-on-the-boardroom-wall feel.
Topic:
Development

7. Stuff Matters

Author:
Mark Miodownik
Publication Date:
04-2015
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
In May 1985, a young Mark Miodownik sat on a train, with a fresh thirteen-centimeter stab wound in his back, and thought about what had just happened. Moments earlier, a man had approached him saying he had a knife and asking for money. Miodownik had decided to keep his assailant talking until the train doors were closing, and then push quickly past him to safety. That didn't work out so well. Although his assailant did not have a knife, he had a razor blade. And it had sliced through Miodownik's thick leather coat and multiple layers of clothing, severely lacerating his back.

8. From the Editor, Spring 2015

Author:
Craig Biddle
Publication Date:
04-2015
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
This, the spring 2015 issue of The Objective Standard, begins our tenth year of publication; so let me start by extending a hearty thank-you to all of our subscribers and donors who have supported our vital work over the years. In a culture largely hostile to the ideas we elucidate and apply, the success of a publication such as TOS requires financial and spiritual support from the relative few who see the value of what we do. You are that few. You have made possible everything we have done—every article, every blog post, every video, every word. Without your support, TOS would have folded long ago, as most Objectivist periodicals have. Because of your support, however, TOS has not only survived, it has established and maintained a level of quality and clarity that has made and is making a difference. Here's an indication of the kind of correspondence we receive from people who discover TOS.
Political Geography:
America

9. Getting Lincoln Right

Author:
Alexander V. Marriott
Publication Date:
06-2014
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Was Abraham Lincoln, as most Americans believe, a defender of individual rights, a foe of slavery, and a savior of the American republic—one of history's great heroes of liberty? Or was he a tyrant who turned his back on essential founding principles of America, cynically instigated the bloody Civil War to expand federal power, and paved the way for the modern regulatory-entitlement state? In the face of widespread popular support for Lincoln (note, for example, the success of the 2012 Steven Spielberg film about him) and his perennially high reputation among academics, certain libertarians and conservatives have promoted the view that Lincoln was a totalitarian who paved the way for out-of-control government in the 20th century. Those critics are wrong. Contrary to their volumes of misinformation and smears—criticisms that are historically inaccurate and morally unjust—Lincoln, despite his flaws, was a heroic defender of liberty and of the essential principles of America's founding. Getting Lincoln right matters. It matters that we know what motivated Lincoln—and what motivated his Confederate enemies. It matters that we understand the core principles on which America was founded—and the ways in which Lincoln expanded the application of those principles. It matters that modern advocates of liberty properly understand and articulate Lincoln's legacy—rather than leave his legacy to be distorted by antigovernment libertarians (and their allies among conservatives), leviathan-supporting “progressives,” and racist neo-Confederates. My purpose here is not to present a full biographical sketch of Lincoln, nor to detail all types of criticisms made against him. Rather, my goal is to present sufficient information about Lincoln and his historical context to answer a certain brand of his critics, typified by Ron Paul, formerly a congressman from Texas and a contender for the Republican Party's presidential nomination in 2008 and 2012. Paul and his ilk characterize Lincoln's engagement of the Civil War as a “senseless” and cynical power grab designed to wipe out the “original intent of the republic.” Such claims are untrue and unjust, as we will see by weighing them in relation to historical facts. Toward that end, let us begin with a brief survey of claims by Lincoln's detractors. The revision of Lincoln and his legacy began in earnest soon after the Civil War, but, at the time, it was relegated to the intellectual swamp of Confederate memoirs and polemics. What was once the purview of a defeated and demoralized rump and of early anarchists such as Lysander Spooner has picked up steam within the modern libertarian movement. In the early 20th century, the acerbic newspaperman and social critic H. L. Mencken seriously suggested that the Confederates fought for “self-determination” and “the right of their people to govern themselves.” He claimed that a Confederate victory would have meant refuge from a northern enclave of “Babbitts,” the attainment of a place “to drink the sound red wine . . . and breathe the free air.” Mencken's musings were but a symptom of a broader change in how many Americans came to view the Civil War. The conflict was no longer “the War of the Rebellion,” but “the War between the States.” The Confederate cause was no longer an essentially vile attempt to preserve slavery, but an honorable attempt to preserve autonomous government. Not coincidentally, during this period, Confederate sympathizers built monuments to the Confederacy throughout the South, and D. W. Griffith's openly racist silent film The Birth of a Nation presented revisionist Civil War history and contributed to the rebirth of the Ku Klux Klan. Sometimes Confederate sympathizers claimed that the Civil War was not really about slavery; other times they claimed that slavery was a glorious institution the South sought to preserve. More recently, Murray N. Rothbard—widely regarded as the godfather of the modern libertarian movement (and someone who saw Mencken as an early libertarian)5—characterized the Civil War as the fountainhead of the modern regulatory state: The Civil War, in addition to its unprecedented bloodshed and devastation, was used by the triumphal and virtually one-party Republican regime to drive through its statist, formerly Whig, program: national governmental power, protective tariff, subsidies to big business, inflationary paper money, resumed control of the federal government over banking, large-scale internal improvements, high excise taxes, and, during the war, conscription and an income tax. Furthermore, the states came to lose their previous right of secession and other states' powers as opposed to federal governmental powers. The Democratic party resumed its libertarian ways after the war, but it now had to face a far longer and more difficult road to arrive at liberty than it had before. Thomas DiLorenzo, a colleague of Rothbard's until Rothbard's death in 1995, penned two books responsible for much of today's libertarian and conservative antagonism toward Lincoln: The Real Lincoln: A New Look at Abraham Lincoln, His Agenda, and an Unnecessary War (2002) and Lincoln Unmasked: What You're Not Supposed to Know About Dishonest Abe (2006). (Both DiLorenzo and Ron Paul are senior fellows of the Ludwig von Mises Institute, an organization that, while bearing the name of the great Austrian economist von Mises, is more closely aligned with Rothbard's anarchist views.) Largely through his influence on popular economist Walter E. Williams, who wrote the foreword to DiLorenzo's 2002 book, DiLorenzo has reached a relatively wide audience of libertarians and conservatives. Williams is known to many as a genial guest host for The Rush Limbaugh Show, a fellow of the Hoover Institute, and a distinguished professor of economics at George Mason University. He gave his imprimatur to DiLorenzo's work, thereby elevating what might otherwise have been a peculiar book from the depths of Rothbard's libertarian, paleoconservative, neo-Confederate intellectual backwater to a nationally known and provocative piece of severe Lincoln revisionism. What are the essential criticisms leveled against Lincoln by such writers as Mencken and DiLorenzo? The most important of these criticisms can be grouped into four categories. First, these critics claim, Lincoln eviscerated the right of secession supposedly at the heart of the American Revolution. Second, say the critics, Lincoln did not truly care about slavery; he invoked it only to mask his real reasons for pursuing war—to expand the power of the federal government. Anyway, the critics add, slavery would have ended without a Civil War. Third, argue the critics, Lincoln subverted the free market with his mercantilist policies, thereby laying the groundwork for the big-government Progressives to follow. Fourth, Lincoln supposedly prosecuted the war tyrannically; in DiLorenzo's absurd hyperbole, Lincoln was a “totalitarian” who constructed an “omnipotent” state. Let us look at each of these criticisms in greater detail—and put them to rest—starting with the claim that Lincoln spurned the fundamental principles of the founding by opposing secession.
Topic:
Government
Political Geography:
America

10. Purpose, Value Hierarchies, and Happiness

Author:
Craig Biddle
Publication Date:
06-2014
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Author's note: This essay is an edited version of a lecture I've delivered to various Objectivist community groups. It assumes some understanding of and agreement with the philosophy of Objectivism. That we live only once is not speculation. This is it. This life is all we have. This fact, however, is not cause for despair; it is cause for action. To quote a favorite ad, “It's not that life's too short, it's just that you're dead for so long.” Our time in life is substantial—we might live to eighty, ninety, or even a hundred years old—and we can do a great deal in the decades we have. But we are going to die. And when we do, that's it. We're done. So: What to do? As rational egoists—as people who know that the moral purpose of life is to maximize our personal happiness—we want to fill our days and years with accomplishments and joy. We want to wake up every morning and pursue our values with vigor. We want to thrive in a career we love, in romance, in our recreational pursuits, in our friendships, and so on. In short, we want to make our lives the best they can be. That's easy to say. And, in a sense, it's easy to do: Just think rationally and act accordingly. In another sense, however, it is the single most difficult thing in the world. Making our life the best it can be is the only project that requires the harmonious use of all of our resources and capacities—physical and mental, personal and social—toward a highly complex goal for the span of our entire life. No other project comes even close to this in terms of its demands. In fact, all of our other egoistic endeavors are subsumed under this one. Whether we are performing brain surgery, or composing a symphony, or building a semiconductor company, or raising children, or learning to hang glide—all such endeavors are only projects within the broader goal of making the most of our life. Everything we do is but an aspect of this grand, all-encompassing goal. To achieve the greatest happiness possible, we have to unify all of our choices, values, and goals into a single harmonious whole. This requires a great deal of thinking, selecting, planning, prioritizing, coordinating, reviewing, reevaluating, and so on. At every turn, we must gain or apply the necessary knowledge, use our best judgment, and act accordingly—with respect to the full context of our values and goals. This is a huge subject, and, in keeping with the opening point, we have limited time. So I want to be clear about the scope of my talk. My goal tonight is to indicate the nature and importance of purpose (and related matters) in good living. My overarching point is that understanding and upholding the concept, value, and principle of purpose is essential to making your life the best it can be. What is a purpose?

11. Timothy Sandefur on the Conscience of the Constitution

Author:
Ari Armstrong
Publication Date:
06-2014
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Timothy Sandefur is a principal attorney at the Pacific Legal Foundation who focuses on economic liberty. Recently I had the opportunity to interview him about his new book on the Declaration of Independence, his work at the Foundation, and related matters. —Ari Armstrong Ari Armstrong: Thank you for taking the time to share your thoughts with us. Timothy Sandefur: Thanks for having me. AA: Your book, The Conscience of the Constitution: The Declaration of Independence and the Right to Liberty, was published early this year. How would you summarize its central arguments? TS: I argue that individual liberty is the central value, the conscience, of the Constitution. The Constitution says in its very first sentence that liberty is a “blessing.” But it doesn't say the same thing about democracy or about government in general. That is because the authors of the Constitution were building on a foundation of political philosophy, and that philosophy is articulated in the Declaration of Independence—that we are all properly equal before the law and have inalienable rights that no just government may infringe. This principle is the guidepost—the conscience—that helps us to guide our constitutional course. Or it would be the guidepost, if 20th-century thinkers had not abandoned the principles of the Declaration and replaced them with the ideas that government action is presumptively legitimate and that individual rights are just privileges the government gives to us when it chooses to. That shift is how our constitutional understanding has gone awry, and it's a leading reason why so much of the legal profession is unable to understand the document they're interpreting. The result is that our constitutional law has bizarre blind spots and contradictions. The “public use” clause was essentially erased in the infamous Kelo eminent domain case. The privileges or immunities clause was essentially erased in the 1870s in the Slaughterhouse Cases. The due process clause has been radically curtailed. These trends are a consequence of lawyers, judges, and law professors typically prioritizing democracy over liberty as a central constitutional value. So the “conscience” I refer to is a voice in our constitutional order telling us when we do something wrong. That voice is the Declaration of Independence. That's why I defend the idea of “substantive due process” [defined below]—something both conservatives and liberals have rejected nowadays. And it's why I don't buy arguments for “judicial restraint”—which usually seem to mean that when the legislature violates the Constitution, the courts should just look the other way—again, to prioritize democracy over liberty. AA: You argue that early American lawyers and political leaders understood the Declaration of Independence as an important interpretive guide to the Constitution. How was that understanding lost in American law?
Topic:
Government

12. Seven Pleasures, by Willard Spiegelman

Author:
Daniel Wahl
Publication Date:
06-2014
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Seven Pleasures: Essays on Ordinary Happiness, by Willard Spiegelman. New York: Picador, 2009. 208 pp. $16 (paperback). In Seven Pleasures: Essays on Ordinary Happiness, Willard Spiegelman asks: “In adulthood, what should—what does—one read? No longer having the luxury of youthful promiscuity, knowing that the clock ticks, that every choice of something eliminates something else, what should you do?” (p. 49). Spiegelman suggests rereading “those books that gave pleasure in the past.” He adds: A photographic memory is not necessarily a blessing; there's a charm in forgetting, so if you're not cursed with perfect recall, you'll have the joy of discovering some things as though for the first time, while others will hit you with the refreshing rush of repetition. As an older version of the person you've always been, you can have things two ways at once: something old, something new; something recalled, something revealed. (p. 49) Although Spiegelman does not directly advise going back to what one loves and extracting still more pleasure from it, or learning to convert a declining memory into a source of enjoyment, he nevertheless provides example after example of himself doing just such things. Whereas other books about happiness tell readers how to become happy, in Seven Pleasures Spiegelman simply discusses the activities that have made him happy and shows how he has learned to deeply enjoy his life.
Political Geography:
New York

13. So Good They Can't Ignore You, by Cal Newport

Author:
Daniel Wahl
Publication Date:
06-2014
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
So Good They Can't Ignore You: Why Skills Trump Passion in the Quest for Work You Love, by Cal Newport. New York: Business Plus, 2012. 304 pp. $26 (hardcover). In So Good They Can't Ignore You: Why Skills Trump Passion in the Quest for Work You Love, Cal Newport challenges (among other things) the idea that “the key to occupational happiness is to first figure out what you're passionate about and then find a job that matches this passion” (p. 4). This is a widespread idea with the full backing of American pop culture and of many successful people. But is it true? Newport doesn't think so, and, in arguing that it is not, he observes (for starters) that passions rarely match up with specific jobs. In a 2002 study he cites, for example, 539 Canadian university students were asked if they had passions and, if so, what they were. Eighty-four percent replied that they did have passions, but the top five listed were dance, hockey, skiing, reading, and swimming. Newport sums up this list by concluding what the students themselves likely have found out by now—that “these passions don't have much to offer when it comes to choosing a job” (p. 14). Newport also observes that passions take time to develop. Here he cites a paper by Amy Wrzesniewski, published in the Journal of Research in Personality, that explores the differences between a job, a career, and a calling. A job, in Wrzesniewski's formulation, is a way to pay the bills, a career is a path toward increasingly better work, and a calling is work that's an important part of your life and a vital part of your identity.
Political Geography:
America

14. From the Editor, Summer 2014

Author:
Craig Biddle
Publication Date:
06-2014
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Welcome to the Summer 2014 issue of The Objective Standard. Here's a brief indication of the contents at hand.
Topic:
War

15. Moral Diversity: Asset or Liability for Liberty?

Author:
Craig Biddle and Max Borders
Publication Date:
08-2014
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
This debate between Craig Biddle and Max Borders was held at the “Liberty, Free Markets, and Moral Character” conference, cosponsored by the Clemson Institute for the Study of Capitalism and the Foundation for Economic Education, at Clemson University on May 25, 2014. Download the pdf for free. Moderator C. Bradley Thompson: The gladiators are now in the cage. Let the friendly fight begin. [Laughter from the audience.] Photo: FEE Photo: FEE In many ways, the debate that's going to take place, I think, is representative of what both the Clemson Institute for the Study of Capitalism and the Foundation for Economic Education stand for. We're trying to expose you to ideas, and the big ideas are not simply those of capitalism versus socialism, right versus left. Within the broader liberty movement, there is a diversity of views on a whole range of issues. Just within the libertarian movement, there are all kinds of public debates. Within the Objectivist movement, there are all kinds of debates. And between libertarians and Objectivists, there are some very important, fundamental differences. What we'd like to do today is flesh out one of the big differences between libertarians and Objectivists. I don't think I need to introduce our two combatants today: Max Borders, from FEE, and editor of The Freeman; and Craig Biddle, editor of The Objective Standard. So we have the editors of two major liberty-oriented publications. I know Max and Craig have a lot that they agree on, and we're going to find out what they disagree about. And we're going to conduct this, of course, not as a cage fight, but as a civil discourse among friends. Here's the format: Craig and Max will each be given fifteen minutes for opening remarks, then they will each get five minutes to either respond or make follow-up comments, and then they'll get another five minutes each to respond or make further comments. After that, we're going to open up the floor to you for questions. So we're going to have at least forty minutes for Q from the floor.
Topic:
Government

16. Donna Hassler on the Sculptures of Daniel Chester French

Author:
Joseph Kellard
Publication Date:
08-2014
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Donna Hassler is executive director of Chesterwood, the former summer home and studio of Daniel Chester French (1850–1931), a renowned and prolific American sculptor of public monuments best known for the sculpture of Lincoln at the Lincoln Memorial. Located in Stockbridge, Massachusetts, Chesterwood is a historic site of the National Trust for Historic Preservation, a privately funded nonprofit. I recently spoke with Hassler about French's life and work, Chesterwood, and the value of public art. —Joseph Kellard Joseph Kellard: Donna, thank you for taking time to speak with me about this great sculptor. I love the works of Daniel Chester French, and I've photographed many of them, so it's a real treat for me to chat about him and his work with such an expert on the subject. Donna Hassler: You're welcome. JK: French was quite prolific, producing more than one hundred monuments, memorials and other works. What would you say are some of the distinctive features and themes of his art? DH: Daniel Chester French was an American Beaux-Arts sculptor. Trained in Florence and later Paris, he was inspired by the ideal beauty of Greco-Roman art and architecture early in his career. In fact, he didn't even stay around for the unveiling of the Minute Man sculpture in Concord, Massachusetts, in 1874, because he had accepted an invitation from Ned Powers, the son of the prominent American neoclassical sculptor Hiram Powers, to stay with his family in Florence and study sculpture with another American artist, Thomas Ball. The artist looked to nature in modeling his figurative works but improved upon her in the classical tradition. Allegory and symbolism also played a more important role in his sculpture, especially when he memorialized individuals without portraying them in a realistic manner. JK: French's most celebrated sculptures are Abraham Lincoln at the Lincoln Memorial and The Minuteman in Concord, Massachusetts; many of our readers have seen and enjoyed these. Which of his lesser-known works do you think deserve special attention, and why?
Political Geography:
America

17. Edge of Tomorrow

Author:
Ari Armstrong
Publication Date:
08-2014
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Edge of Tomorrow, directed by Doug Liman. Written by Christopher Mcquarrie, Jez Butterworth, and John-Henry Butterworth, based on the novel All You Need Is Kill by Hiroshi Sakurazaka. Starring Tom Cruise, Emily Blunt, Bill Paxton, and Brendan Gleeson. Distributed by Warner Bros. Pictures, 2014. Rated PG-13 for intense sequences of sci-fi action and violence, language, and brief suggestive material. Running Time: 113 minutes.

18. Star Trek: First Contact

Author:
Ari Armstrong
Publication Date:
08-2014
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Star Trek: First Contact, directed by Jonathan Frakes. Written By Rick Berman, Brannon Braga, And Ronald D. Moore. Starring Patrick Stewart, Jonathan Frakes, Brent Spiner, Levar Burton, Michael Dorn, Gates Mcfadden, Marina Sirtis, Alfre Woodard, James Cromwell, And Alice Krige. Distributed by Paramount Pictures, 1996. Rated PG-13 for some sci-fi adventure violence. Running Time: 111 minutes. Reviewed by Ari Armstrong Imagine a future in which humans rove the galaxy in starships; colonize the moon, distant planets, and space stations; and radically expand their knowledge of the universe. Star Trek: First Contact invites us to imagine just such a future, and it does so in the context of a nail-biting action story pitting the “next generation” crew of the Federation ship Enterprise against mankind's most frightening foes of their fictional universe: the collectivist Borg, who rasp, through cybernetic implants, “Resistance is futile.” Although each of the four films involving The Next Generation (the crew led by Captain Jean Luc Picard) has its merits, First Contact rises above the rest in its storytelling. In the film, the Borg first attack Earth and then send a probe back to their past (our future) to hinder mankind's development and make Earth easy prey for the Borg. What is the singular event the Borg hopes to stop? It is the first human space flight involving “warp” (faster than light) travel, something that (in the world of Star Trek) takes place on April 4, 2063. That the pivotal event of the film is a major technological advancement says a lot about the spirit of the franchise. The crew of Enterprise follow the Borg probe back in time, leading to a twofold story: In Montana, part of the crew help an inventor of 2063 repair his warp ship damaged by the Borg, while on Enterprise (orbiting Earth) the rest of the crew battle a Borg takeover.

19. The Dictionary of Human Form, by Ted Seth Jacobs

Author:
Daniel Wahl
Publication Date:
08-2014
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
The Dictionary of Human Form, by Ted Seth Jacobs. Santa Fe: Mariposa Press, 2011. 819 pp. $150. Reviewed by Daniel Wahl Ted Seth Jacobs painted The Open Window—one of the most beautiful paintings of the twentieth century. He taught Jacob Collins and Tony Ryder—two of the realist movement's most influential teachers. And he has written three books on art—Drawing What the Eye Sees, Light for the Artist, and The Dictionary of Human Form. This last is his latest, and it is arguably one of the greatest books of art instruction ever written. In fact, with more than twenty-five hundred drawings and diagrams on the structure of human form, no other book comes close to being as detailed and as comprehensive. Most books about how to render the human form focus on anatomy. But Jacobs, who has a unique view on this issue (and many others), does not think the study of anatomy is necessary or helpful for artists. He says, for example: Anatomy gives a picture of the skeletal system, of where muscles originate and insert, and their names and functions. I have talked with doctors and biologists, and both have assured me that the appearance of muscles in a dead dissected body is entirely different from that of a living subject. Perhaps that is why, most often, muscles drawn in anatomy books resemble skinny, attenuated, paramecium forms. (p. 10) And: I have not seen all the extant anatomy books for artists, but I have never seen one with what I would consider a mastery of drawing. Anatomy is more applicable to scientific disciplines than to the needs of the artist. Most commonly lacking in anatomy books and courses, is the sense of the special three-dimensional shapes of forms on the surface of the body. (p. 10) And: If you know anatomy as thoroughly as a doctor, but don't know structure, you will not be able to draw correctly. If you don't know any anatomy, but thoroughly understand structure, you will be able to learn to draw like an old master. (p. 1) The Dictionary of Human Form is thus not at all about anatomy; its focus is structure. Jacobs defines structure, most broadly, as “the way in which living organic forms are organized” (p. 7). He then explains why studying the structure of the body is of value to artists.

20. he Rape of the Masters, by Roger Kimball

Author:
Daniel Wahl
Publication Date:
08-2014
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
The Rape of the Masters: How Political Correctness Sabotages Art, by Roger Kimball. New York: Encounter Books, 2005. 200 pp. $17.95 (paperback). Reviewed by Daniel Wahl Roger Kimball begins The Rape of the Masters: How Political Correctness Sabotages Art by asking why we teach and study art history. “It is a question,” he says, “that elicits a complicated answer.” To learn about art, yes, but also to learn about the cultural setting in which art unfolds; in addition, to learn about—what to call it? “Evolution” is not quite right, neither is “progress.” Possibly “development”: to learn about the development of art, then, about how over the course of history artists “solved problems”—for example, the problem of modeling three-dimensional space on an essentially two-dimensional plane. Those are some of the answers, or some parts of the answer, most of us would give. There are others. We teach and study art history—as we teach and study literary history or political history or the history of science—partly to familiarize ourselves with humanity's adventure in time. We expect an educated person in the West to remember what happened in 1066, to know the plot of Hamlet, to understand (sort of) the law of gravity, to recognize Mona Lisa, Botticelli's Birth of Venus, or Manet's Bar at the Folies-Bergère. These are aspects of a huge common inheritance, episodes that alternately bask in and cast illuminations and shadows, the interlocking illuminations and shadows that delineate mankind's conjuring with the world. All this might be described as the dough, the ambient body of culture. The yeast is supplied by direct acquaintance with the subject of study: the poem or novel or play, the mental itinerary a Galileo or Newton traveled, the actual work of art on the wall. In the case of art history, the raison d'être—the ultimate motive—is supplied by a direct visual encounter with great works of art. Everything else is prolegomenon or afterthought: scaffolding to support the main event, which is not so much learning about art as it is experiencing art first hand. Or so one would have thought. What has happened to the main event? (pp. 1–2) As Kimball makes clear, the main event has changed.
Political Geography:
New York