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1. Culture clash: Russia, Ukraine, and the fight for the European public

Author:
Pawel Zerka
Publication Date:
05-2023
Content Type:
Policy Brief
Institution:
European Council on Foreign Relations (ECFR)
Abstract:
Russia’s war on Ukraine is a test of Europe’s values of openness, freedom, solidarity, and individual responsibility. According to ECFR’s research, European sentiment is strong in the EU today; the public holds positive attitudes towards the EU and Europe; and most governments are dedicated to European cooperation. European citizens and governments have shown unprecedented support for Ukraine, but European leaders face various dilemmas about how to handle Russian culture, disinformation, and people in the context of the war – and their responses to these challenges have consequences for European sentiment. Their approach can either reassert European values, helping to sustain European unity and support for Ukraine. Or it can undermine these values, presenting the EU as weak and hypocritical, and eroding Europeans’ confidence in the EU and solidarity with Ukraine. Rather than follow their protective instincts, European governments should display confidence in liberalism and in the European civil society which, over the past year, has demonstrated its resilience.
Topic:
Culture, Public Opinion, Disinformation, and Russia-Ukraine War
Political Geography:
Russia, Europe, and Ukraine

2. Café Evropa: European commemoration of the Shoah and the fight against anti-Semitism

Author:
Barbora Jehličková
Publication Date:
04-2023
Content Type:
Special Report
Institution:
Europeum Institute for European Policy
Abstract:
A debate on the European commemoration of the victims of the Shoah and the fight against anti-Semitism took place as part of the Café Evropa debate series. What is the path to a Czech national strategy to fight anti-Semitism and is a European culture of Shoah remembrance possible? You can read a summary of the outcomes of the individual guests in the report written by our intern Barbora Jehličková.
Topic:
History, Culture, Holocaust, Memory, and Anti-Semitism
Political Geography:
Europe and Czech Republic

3. Russia’s Cultural Heritage Can Be a Bridge to the Future

Author:
Robert Cox
Publication Date:
02-2023
Content Type:
Journal Article
Journal:
American Diplomacy
Institution:
American Diplomacy
Abstract:
Russia has become Europe’s ogre. Beyond the brutality of Moscow’s onslaught on Ukraine looms a harsher ideological backdrop. Too many Russian citizens have been enticed into seeing this invasion as a defence of Russia’s security, national pride and identity, history, Weltanschauung, international standing, and imperial stature. They eulogise Russia’s national church as a defensive shield despite its abuse of spiritual humanity, its soldiers as crusaders. Europeans, in response to this baggage respond with a mixture of fear or unease. Anger, too, along with frustration and ultimately something akin to hatred. With all this comes an inclination in the western world to reject everything Russian. This rejection of a rich culture risks tarnishing our mindset and that of our children. Russian orchestras, dancers and sopranos have been banned from western stages—largely on the pretext that they have not condemned Putin and his acolytes. Ultimately Russian culture risks being airbrushed out of western European mentalities. It is worth pausing for a moment and just looking at what we are rejecting, perhaps unconsciously. Hitherto—and for many Europeans still —Russian culture has had an important place in our education and upbringing. Tchaikovsky, Borodin, Rimsky Korsakov, Shostakovich and the sublime Prokofiev have delighted our concert audiences for decades. Marc Chagall’s imagination has stimulated ours. Ballet in Europe—or the US, for that matter—would not be what it is without the great influence of the ballet russe. Nor, in a related world, would we be so intellectually rich without the heritage of Russian scientists, physicists and mathematicians.
Topic:
Foreign Policy, Culture, Literature, and Russia-Ukraine War
Political Geography:
Russia, Europe, and Eurasia

4. Promoting the Inclusion of Europe’s Migrants and Minorities in Arts and Culture

Author:
Lucía Salgado and Liam Patuzzi
Publication Date:
03-2022
Content Type:
Special Report
Institution:
Migration Policy Institute (MPI)
Abstract:
Decades of sustained immigration have transformed many European cities into mosaics of different cultures. Yet this diversity is not always mirrored in the art celebrated in museums, the plays produced in major theaters, and the music heard in concert halls. In addition, well-intended efforts to celebrate ethnic and cultural diversity through art and culture run the risk of overemphasizing differences, exoticizing minority groups rather than contributing to the normalization of diversity within society. But this status quo may be changing. Widespread anti-racism protests have prompted long-overdue conversations about mis- and under-representation of minorities as well as discrimination in the cultural scene. At the same time, pandemic-related restrictions have placed further financial strains on the already fragile cultural sector, challenging organizations to reach new audiences in new ways. This MPI Europe report, which draws on interviews with cultural professionals from 11 European countries, explores approaches to strengthening the participation of migrant and minority communities in arts and culture, with potential benefits for immigrant integration outcomes, social cohesion, and the vibrancy and sustainability of cultural institutions. It examines migrants’ and minorities’ inclusion on three levels: as visitors of cultural venues and consumers of art, as featured artists and performers, and as leaders and staff within cultural institutions. The research was conducted within the framework of the Urban Agenda Partnership on the Inclusion of Migrants and Refugees, co-led by the City of Amsterdam and the European Commission and funded by the European Commission's Directorate-General for Migration and Home Affairs.
Topic:
Migration, Arts, Culture, Minorities, European Union, Integration, and Inclusion
Political Geography:
Europe

5. Public and cultural diplomacy in European cities and states’ branding

Author:
Szymon Ostrowski
Publication Date:
03-2022
Content Type:
Journal Article
Journal:
Nowa Polityka Wschodnia
Institution:
Faculty of Political Science and International Studies, Nicolaus Copernicus University in Toruń
Abstract:
Article “Public and cultural diplomacy in cities’ branding” is a try to set ideas of city diplomacy and idea of branding into theory of international relations. Also, analysis of two West-European and two East-European cities is a chance to analyze chances and threats that both states and cities can encounter during a process of brand building. The main questions that article is answering are “Can cities use their resources and connections to make public and cultural diplomacy?” and “What influence on that process has factor of being a city in post-soviet country or former Soviet Satellite state?” It can be said that cities are able to brand and rebrand itself and they are more flexible than states that cannot run away from some aspects of its identity. In case of difference between western and post-soviet states, the difference is none. In research, numerous rankings, articles and analyses were used as a primary sources in order to characterize how different are images of Italy, Germany, Hungary and Ukraine. Also, paper tries to determine, what is relation between states brand and branding of its cities.
Topic:
International Relations, Diplomacy, Culture, Soft Power, State, Cities, and Branding
Political Geography:
Europe, Ukraine, Germany, Hungary, and Italy

6. Book Talk. Contemporary Ukrainian and Baltic Art: Political and Social Perspectives

Publication Date:
02-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Please join the Ukrainian Studies Program at the Harriman Institute for a presentation of the book Contemporary Ukrainian Art and Baltic Art: Political and Social Perspectives (ibidem Press, 2021). The event will feature presentations by the volume’s editor Svitlana Biedarieva and contributors Ieva Astahovska, Olena Martynyuk, and Margaret Tali with moderator Mark Andryczyk (Harriman Institute). This volume focuses on political and social expressions in contemporary art of Ukraine, Estonia, Lithuania, and Latvia. It explores the transformations that art in Ukraine and the Baltic states has undergone since their independence in 1991, discussing how the conflicts and challenges of the last three decades have impacted the reconsideration of identity and fostered resistance of culture against economic and political crises. It analyzes connections between the past and the present as seen by the artists in these countries and looks at their visions of the future. Contemporary Ukrainian art portrays various perspectives, addressing issues from controversial historical topics to the present military conflict in the East of the country. Baltic art speaks out against the erasure of past historical traumas and analyzes the pertinence of its cultural scene to the European community. The contributions in this collection open a discussion of whether there is a single paradigm that describes the contemporary processes of art production in Ukraine and the Baltic countries. With contributions by Ieva Astahovska, Svitlana Biedarieva, Kateryna Botanova, Olena Martynyuk, Vytautas Michelkevičius, Lina Michelkevičė, Margaret Tali, and Jessica Zychowicz.
Topic:
Nationalism, Arts, Culture, and Identity
Political Geography:
Europe, Ukraine, Lithuania, Estonia, and Latvia

7. Internationalist Aesthetics: China and Early Soviet Culture by Edward Tyerman

Publication Date:
02-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Following the failure of communist revolutions in Europe, in the 1920s the Soviet Union turned its attention to fostering anticolonial uprisings in Asia. China, divided politically between rival military factions and dominated economically by imperial powers, emerged as the Comintern’s prime target. At the same time, a host of prominent figures in Soviet literature, film, and theater traveled to China, met with Chinese students in Moscow, and placed contemporary China on the new Soviet stage. They sought to reimagine the relationship with China in the terms of socialist internationalism—and, in the process, determine how internationalism was supposed to look and feel in practice. Internationalist Aesthetics offers a groundbreaking account of the crucial role that China played in the early Soviet cultural imagination. Edward Tyerman tracks how China became the key site for Soviet debates over how the political project of socialist internationalism should be mediated, represented, and produced. The central figure in this story, the avant-garde writer Sergei Tret’iakov, journeyed to Beijing in the 1920s and experimented with innovative documentary forms in an attempt to foster a new sense of connection between Chinese and Soviet citizens. Reading across genres and media from reportage and biography to ballet and documentary film, Tyerman shows how Soviet culture sought an aesthetics that could foster a sense of internationalist community. He reveals both the aspirations and the limitations of this project, illuminating a crucial chapter in Sino-Russian relations. Grounded in extensive sources in Russian and Chinese, this cultural history bridges Slavic and East Asian studies and offers new insight into the transnational dynamics that shaped socialist aesthetics and politics in both countries.
Topic:
Nationalism, Arts, Culture, and Identity
Political Geography:
Europe and Soviet Union

8. Book Talk. La Nijinska by Lynn Garafola

Publication Date:
03-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Overshadowed in life and legend by her brother Vaslav Nijinsky, Bronislava Nijinska had a far longer and more productive career. An architect of twentieth-century neoclassicism, she experienced the transformative power of the Russian Revolution and created her greatest work - Les Noces - under the influence of its avant-garde. Many of her ballets rested on the probing of gender boundaries, a mistrust of conventional gender roles, and the heightening of the ballerina's technical and artistic prowess. A prominent member of Russia Abroad, she worked with leading figures of twentieth-century art, music, and ballet, including Stravinsky, Diaghilev, Poulenc, Alexandra Exter, Natalia Goncharova, Frederick Ashton, Alicia Markova, and Maria Tallchief. She was also a remarkable dancer in her own right with a bravura technique and powerful stage presence that enabled her to perform an unusually broad repertory. Finally, she was the author of an acclaimed volume of memoirs in addition to a major treatise on movement. Nijinska's career sheds new light on the modern history of ballet and of modernism more generally, recuperating the memory of lost works and forgotten artists, many of them women. But it also reveals the sexism pervasive in the upper echelons of the early and mid-twentieth-century ballet world, barriers that women choreographers still confront. Lynn Garafola is Professor Emerita of Dance at Barnard College, Columbia University. A dance historian and critic, she is the author of Diaghilev's Ballets Russes and Legacies of Twentieth-Century Dance, and the editor of several books, including The Diaries of Marius Petipa, André Levinson on Dance (with Joan Acocella), José Limón: An Unfinished Memoir, and The Ballets Russes and Its World. She has curated several exhibitions, including Dance for a City: Fifty Years of the New York City Ballet, New York Story: Jerome Robbins and His World, Diaghilev's Theater of Marvels: The Ballets Russes and Its Aftermath, and, most recently, Arthur Mitchell: Harlem's Ballet Trailblazer.
Topic:
Arts, Culture, Feminism, Russian Revolution, and Gender
Political Geography:
Russia and Europe

9. Finding Common Ground: Intercultural Dialogue Among Youth in North Macedonia

Publication Date:
03-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Marija Krstevska will discuss her trajectory as a girl raised in a mono-ethnic environment to a young advocate for intercultural acceptance. She is the Secretary General of the Center for Intercultural Dialogue, a youth organization in Kumanovo, North Macedonia. Through that organization, she has created learning opportunities within non-formal education for diverse groups of learners, advocated for direct involvement in community decision-making, and supported youth participation through inclusive policies. She will discuss the importance of active citizenship, capacity building, and non-formal education in fostering intercultural dialogue among youth.
Topic:
Education, Culture, Youth, Activism, and Gender
Political Geography:
Europe and North Macedonia

10. Eyes that Lead: The History of Guide Dogs for the Blind in East Central Europe and Beyond

Publication Date:
04-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
The lecture explores a hitherto overlooked episode in the history of the human-animal relations: the establishment of professional guide dog training after the First World War, which had its origins in Central Europe. Under this scheme, dogs became helpers, and, furthermore, equal partners to disabled soldiers and soon thereafter also to blind civilians. The lecture shows how the resultant cooperation between guide dogs and their owners placed the human–animal bond on a new footing. It also reveals how an idea initiated by veterans of the German and Austro-Hungarian army spread across the world and what adjustments were necessary to make the scheme suitable for different economic, cultural and social settings. In a broader context the lecture seeks to call attention to the potentials of the burgeoning fields of animal studies and disability histories for the study of East Central Europe.
Topic:
Culture, Disability, and Animals
Political Geography:
Europe