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You searched for: Publishing Institution Berghahn Books Remove constraint Publishing Institution: Berghahn Books Publication Year within 5 Years Remove constraint Publication Year: within 5 Years Topic Film Remove constraint Topic: Film
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  • Author: Ewa Mazierska
  • Publication Date: 01-2019
  • Content Type: Book
  • Institution: Berghahn Books
  • Abstract: Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema. Using a Marxist perspective, it compares the situation of workers in Western and Eastern Europe as represented in both auteurist and popular films, including those of Tony Richardson, Lindsay Anderson, Jean-Luc Godard, Andrzej Wajda, DušanMakavejev, Jerzy Skolimowski, the Dardenne Brothers, Ulrich Seidl and many others.
  • Topic: Cold War, Mass Media, Socialism/Marxism, Film, Neoliberalism
  • Political Geography: Europe, Eastern Europe, Western Europe
  • Author: Klaus Hödl
  • Publication Date: 09-2019
  • Content Type: Book
  • Institution: Berghahn Books
  • Abstract: Viennese popular culture at the turn of the twentieth century was the product of the city’s Jewish and non-Jewish residents alike. While these two communities interacted in a variety of ways to their mutual benefit, Jewish culture was also inevitably shaped by the city’s persistent bouts of antisemitism. This fascinating study explores how Jewish artists, performers, and impresarios reacted to prejudice, showing how they articulated identity through performative engagement rather than anchoring it in origin and descent. In this way, they attempted to transcend a racialized identity even as they indelibly inscribed their Jewish existence into the cultural history of the era.
  • Topic: Religion, Culture, Film, Anti-Semitism
  • Political Geography: Europe, Austria, Vienna, Central Europe
  • Author: Adam Brown
  • Publication Date: 01-2018
  • Content Type: Book
  • Institution: Berghahn Books
  • Abstract: The Nazis’ persecution of the Jews during the Holocaust included the creation of prisoner hierarchies that forced victims to cooperate with their persecutors. Many in the camps and ghettos came to hold so-called “privileged” positions, and their behavior has often been judged as self-serving and harmful to fellow inmates. Such controversial figures constitute an intrinsically important, frequently misunderstood, and often taboo aspect of the Holocaust. Drawing on Primo Levi’s concept of the “grey zone,” this study analyzes the passing of moral judgment on “privileged” Jews as represented by writers, such as Raul Hilberg, and in films, including Claude Lanzmann’s Shoah and Steven Spielberg’s Schindler’s List. Negotiating the problems and potentialities of “representing the unrepresentable,” this book engages with issues that are fundamental to present-day attempts to understand the Holocaust and deeply relevant to reflections on human nature.
  • Topic: Mass Media, Film, Holocaust, World War II, Anti-Semitism
  • Political Geography: United States, Europe, California, Germany, Central Europe
  • Author: Gerd Gemünden
  • Publication Date: 01-2018
  • Content Type: Book
  • Institution: Berghahn Books
  • Abstract: With six Academy Awards, four entries on the American Film Institute’s list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism and the world of entertainment as well as with an awareness of literary culture and the avant-garde, features that lead to productive and often highly original confrontations between high and low.
  • Topic: Immigration, Media, Film, Material Culture
  • Political Geography: United States, Europe, California, Germany, Central Europe