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1. Book Talk. Contemporary Ukrainian and Baltic Art: Political and Social Perspectives

Publication Date:
02-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Please join the Ukrainian Studies Program at the Harriman Institute for a presentation of the book Contemporary Ukrainian Art and Baltic Art: Political and Social Perspectives (ibidem Press, 2021). The event will feature presentations by the volume’s editor Svitlana Biedarieva and contributors Ieva Astahovska, Olena Martynyuk, and Margaret Tali with moderator Mark Andryczyk (Harriman Institute). This volume focuses on political and social expressions in contemporary art of Ukraine, Estonia, Lithuania, and Latvia. It explores the transformations that art in Ukraine and the Baltic states has undergone since their independence in 1991, discussing how the conflicts and challenges of the last three decades have impacted the reconsideration of identity and fostered resistance of culture against economic and political crises. It analyzes connections between the past and the present as seen by the artists in these countries and looks at their visions of the future. Contemporary Ukrainian art portrays various perspectives, addressing issues from controversial historical topics to the present military conflict in the East of the country. Baltic art speaks out against the erasure of past historical traumas and analyzes the pertinence of its cultural scene to the European community. The contributions in this collection open a discussion of whether there is a single paradigm that describes the contemporary processes of art production in Ukraine and the Baltic countries. With contributions by Ieva Astahovska, Svitlana Biedarieva, Kateryna Botanova, Olena Martynyuk, Vytautas Michelkevičius, Lina Michelkevičė, Margaret Tali, and Jessica Zychowicz.
Topic:
Nationalism, Arts, Culture, and Identity
Political Geography:
Europe, Ukraine, Lithuania, Estonia, and Latvia

2. Internationalist Aesthetics: China and Early Soviet Culture by Edward Tyerman

Publication Date:
02-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Following the failure of communist revolutions in Europe, in the 1920s the Soviet Union turned its attention to fostering anticolonial uprisings in Asia. China, divided politically between rival military factions and dominated economically by imperial powers, emerged as the Comintern’s prime target. At the same time, a host of prominent figures in Soviet literature, film, and theater traveled to China, met with Chinese students in Moscow, and placed contemporary China on the new Soviet stage. They sought to reimagine the relationship with China in the terms of socialist internationalism—and, in the process, determine how internationalism was supposed to look and feel in practice. Internationalist Aesthetics offers a groundbreaking account of the crucial role that China played in the early Soviet cultural imagination. Edward Tyerman tracks how China became the key site for Soviet debates over how the political project of socialist internationalism should be mediated, represented, and produced. The central figure in this story, the avant-garde writer Sergei Tret’iakov, journeyed to Beijing in the 1920s and experimented with innovative documentary forms in an attempt to foster a new sense of connection between Chinese and Soviet citizens. Reading across genres and media from reportage and biography to ballet and documentary film, Tyerman shows how Soviet culture sought an aesthetics that could foster a sense of internationalist community. He reveals both the aspirations and the limitations of this project, illuminating a crucial chapter in Sino-Russian relations. Grounded in extensive sources in Russian and Chinese, this cultural history bridges Slavic and East Asian studies and offers new insight into the transnational dynamics that shaped socialist aesthetics and politics in both countries.
Topic:
Nationalism, Arts, Culture, and Identity
Political Geography:
Europe and Soviet Union

3. Book Talk. La Nijinska by Lynn Garafola

Publication Date:
03-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Overshadowed in life and legend by her brother Vaslav Nijinsky, Bronislava Nijinska had a far longer and more productive career. An architect of twentieth-century neoclassicism, she experienced the transformative power of the Russian Revolution and created her greatest work - Les Noces - under the influence of its avant-garde. Many of her ballets rested on the probing of gender boundaries, a mistrust of conventional gender roles, and the heightening of the ballerina's technical and artistic prowess. A prominent member of Russia Abroad, she worked with leading figures of twentieth-century art, music, and ballet, including Stravinsky, Diaghilev, Poulenc, Alexandra Exter, Natalia Goncharova, Frederick Ashton, Alicia Markova, and Maria Tallchief. She was also a remarkable dancer in her own right with a bravura technique and powerful stage presence that enabled her to perform an unusually broad repertory. Finally, she was the author of an acclaimed volume of memoirs in addition to a major treatise on movement. Nijinska's career sheds new light on the modern history of ballet and of modernism more generally, recuperating the memory of lost works and forgotten artists, many of them women. But it also reveals the sexism pervasive in the upper echelons of the early and mid-twentieth-century ballet world, barriers that women choreographers still confront. Lynn Garafola is Professor Emerita of Dance at Barnard College, Columbia University. A dance historian and critic, she is the author of Diaghilev's Ballets Russes and Legacies of Twentieth-Century Dance, and the editor of several books, including The Diaries of Marius Petipa, André Levinson on Dance (with Joan Acocella), José Limón: An Unfinished Memoir, and The Ballets Russes and Its World. She has curated several exhibitions, including Dance for a City: Fifty Years of the New York City Ballet, New York Story: Jerome Robbins and His World, Diaghilev's Theater of Marvels: The Ballets Russes and Its Aftermath, and, most recently, Arthur Mitchell: Harlem's Ballet Trailblazer.
Topic:
Arts, Culture, Feminism, Russian Revolution, and Gender
Political Geography:
Russia and Europe

4. Finding Common Ground: Intercultural Dialogue Among Youth in North Macedonia

Publication Date:
03-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Marija Krstevska will discuss her trajectory as a girl raised in a mono-ethnic environment to a young advocate for intercultural acceptance. She is the Secretary General of the Center for Intercultural Dialogue, a youth organization in Kumanovo, North Macedonia. Through that organization, she has created learning opportunities within non-formal education for diverse groups of learners, advocated for direct involvement in community decision-making, and supported youth participation through inclusive policies. She will discuss the importance of active citizenship, capacity building, and non-formal education in fostering intercultural dialogue among youth.
Topic:
Education, Culture, Youth, Activism, and Gender
Political Geography:
Europe and North Macedonia

5. Eyes that Lead: The History of Guide Dogs for the Blind in East Central Europe and Beyond

Publication Date:
04-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
The lecture explores a hitherto overlooked episode in the history of the human-animal relations: the establishment of professional guide dog training after the First World War, which had its origins in Central Europe. Under this scheme, dogs became helpers, and, furthermore, equal partners to disabled soldiers and soon thereafter also to blind civilians. The lecture shows how the resultant cooperation between guide dogs and their owners placed the human–animal bond on a new footing. It also reveals how an idea initiated by veterans of the German and Austro-Hungarian army spread across the world and what adjustments were necessary to make the scheme suitable for different economic, cultural and social settings. In a broader context the lecture seeks to call attention to the potentials of the burgeoning fields of animal studies and disability histories for the study of East Central Europe.
Topic:
Culture, Disability, and Animals
Political Geography:
Europe

6. Byzantium as Seen by the White Russians in Constantinople

Publication Date:
04-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
or the broad public in pre-revolutionary Russia, Byzantium belonged to religious discourse; it also became a battle cry for Russian imperialism. And, by an irony of history, it was that long-coveted Byzantium that greeted the White Russians as they, orphaned refugees, disembarked in Constantinople following their defeat in the Civil War. What sentiments did the Byzantine monuments inspire in them? It appears that their attitudes were more nuanced than pure nostalgia or dismissal. Sergey A. Ivanov is a member of the British Academy. He has published more than 200 scholarly works on Byzantine culture and the relations between Byzantium and the Slavs. Among his monographs are Holy Fools in Byzantium and Beyond (Oxford, 2006), “Pearls Before Swine:” Missionary Work in Byzantium (Paris, 2015) and "Византийская культура и агиография" (Moscow, 2020, Byzantine Culture and Hagiography). His guidebook "В поисках Константинополя" was first published in Russian in 2011, went through three editions and was translated into Bulgarian and Turkish. It was published in English as In Search of Constantinople. A Guidebook Through Byzantine Istanbul and Its Surroundings in March 2022.
Topic:
Culture, Urban, Cities, and Monuments
Political Geography:
Russia, Europe, Turkey, and Istanbul

7. Cultural Encounters: Istanbul and Refugees from the Russian Empire (1919-1923) - Welcome & Panel I

Author:
Özalp Birol, Ipek Cem Taha, Valentina Izmirlieva, Vladimir Alexandrov, and Edward Kasinec
Publication Date:
11-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
The Encounter in Context: Istanbul Under the Armistice Chair: Holger Klein Valentina Izmirlieva (Columbia University), "The Four Paradoxes of Istanbul's Beyaz Ruslar Moment" Vladimir Alexandrov (Yale University), "Frederick Bruce Thomas and Being Black in Constantinople" Edward Kasinec (Hoover Institution, Stanford University), "American Elite Philanthropy, Anna V.S. Mitchell and The Constantinople/Istanbul Russians, 1920-1929"
Topic:
History, Culture, and Refugees
Political Geography:
Russia, Eurasia, and Turkey

8. Cultural Encounters: Istanbul and the Refugees from the Russian Empire (1919-1923) | Panel III

Author:
Vladimir Alexandrov, Ayşenur Güler, Ekaterina Aygün, and Nadia Podzemskaia
Publication Date:
11-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Artists in Transcultural Dialog Chair: Vladimir Alexandrov Ayşenur Güler (Independent Researcher, London) [Via Zoom], "Findings on Gritchenko's Sojourn in Istanbul (1919-1921)" Ekaterina Aygün (Ludwig-Maximilians-Universität, Munich), "Union of Russian Painters in Constantinople (1921/1922-1923) as an Émigré Artists' Collective" Nadia Podzemskaia (ITEM, CNRS-ETS, Paris), "Constantinople/Istanbul in the First Half of the 1920s, through the Eyes of the Émigré Artists from the Russian Empire"
Topic:
History, Culture, Refugees, and Dialogue
Political Geography:
Russia, Eurasia, and Turkey

9. Cultural Exchanges: Istanbul and Refugees from the Russian Empire (1919-1923) - Panel II

Author:
Valentina Izmirlieva, Holger A. Klein, and Sergey A. Ivanov
Publication Date:
11-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
The Byzantine Legacy Rediscovered Chair: Valentina Izmirlieva Holger A. Klein (Columbia University), "From Russia to Byzantium: Thomas Whittemore's Intellectual Formation and the Work of the Byzantine Institute of America" Sergey A. Ivanov (Moscow Higher School of Economics), "Byzantium as Seen by the White Russians in Constantinople"
Topic:
History, Culture, Refugees, and Byzantine Empire
Political Geography:
Russia, Eurasia, and Turkey

10. Cultural Encounters: Istanbul and the Refugees from the Russian Empire (1919-1923) - Panel IV

Author:
Cengiz Kahraman
Publication Date:
11-2022
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Cengiz Kahraman (Istanbul Photography Museum) and Valentina Izmirlieva present two archives of Iraïda Barry's life and work - one in Istanbul, the other in New York.
Topic:
History, Culture, and Refugees
Political Geography:
Russia, Eurasia, and Turkey

11. Digital Selves: Embodiment, Subjectivity in New Media Cultures in Eastern Europe, Eurasia

Publication Date:
11-2021
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Join us to celebrate the launch of a special issue of the journal Digital Icons: Studies in Russian, Eurasian and Central European New Media. The issue, “Digital Selves: Embodiment and Subjectivity in New Media Cultures in Eastern Europe and Eurasia,” is available in open access at digitalicons.org This issue considers the role of the physical and sensory body in relation to social identities and minority advocacy in regional digital culture. Engaging conversations in disability studies, queer studies, and feminist studies, the articles in the issue consider gender, disability, and LGBTQ identity as both embodied and online. The launch will feature brief presentations by participating authors on civilians at war in Ukraine, the assemblage of vibrant disability counterpublics on the Russophone internet, contestations around concepts of ethnicity and heritage in Russia’s border regions through digital music online, queer stories of coming out in Russia and anti-homophobia protest in Poland. With an overview of the project from co-editors of the special issue Cassandra Hartblay and Tatiana Klepikova and a response from Sasha Kurlenkova, PhD Candidate in Media, Culture, and Communication at NYU
Topic:
Culture, Media, Identity, and Digitalization
Political Geography:
Europe

12. Wellsprings of David Burliuk’s Art: Exploring Enduring Inspiration, Kakhovka to New York

Publication Date:
11-2021
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Please join the Ukrainian Studies Program at the Harriman Institute for a talk by Myroslav Shkandrij exploring the artwork of David Burliuk. Mark Andryczyk (Harriman Institute) will moderate. The art of David Burliuk, the founder of futurism in the Russian empire, went through several phases. From the moment he founded the Hylaea group near Kherson in 1903, during his travels through Siberia and Japan, and after his arrival in New York in 1922 he explored various styles. Among them were impressionism, neo-primitivism, cubo-futurism, surrealism, and ‘radiostyle.’ There were, however, some constant sources of inspiration, to which her continually returned up to his death on Long Island in 1967. These included an enthusiasm for nature, vitality, the Steppe, and the Cossack past of his ancestors. The evidence of his writings, paintings and archives provide keys to understanding puzzling aspects of his development. Myroslav Shkandrij is Professor Emeritus at the University of Manitoba where he taught Slavic studies. He has published books on Ukraine in the 1920s, Ukrainian-Russian relations, nationalism, avant-garde art, and contested views of revolutionary events. He has also curated a number of exhibitions dealing with the early twentieth-century avant-garde, and has translated several Ukrainian authors into English. In the fall 2021 semester, he is Visiting Professor in History, Ukrainian Studies at the Harriman Institute, Columbia University.
Topic:
Arts, Culture, Revolution, and Identity
Political Geography:
Russia, Europe, and Ukraine

13. Anatoly Zverev as a Cultural Phenomenon: Remembering the Artist

Publication Date:
12-2021
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Please join the Harriman Institute and the Kolodzei Art Foundation for a presentation in conjunction with our exhibit Anatoly Zverev: Selections from the Kolodzei Art Foundation. Natalia Kolodzei of the Kolodzei Art Foundation will discuss the artist Anatoly Zverev and his legacy. Introduction by Mark Lipovetsky (Columbia Slavic Department/Harriman Institute), with recorded remarks by Tatiana Kolodzei, art historian/curator Maria Plavinsky and artist/art collector Natalia Kostaki.
Topic:
Arts and Culture
Political Geography:
Russia and Europe

14. Book Talk. "Air Raid" by Polina Barskova with Translator Valzhyna Mort

Publication Date:
12-2021
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Please join the Harriman Institute for a discussion with poet and scholar Polina Barskova about her new volume, Air Raid (Ugly Duckling Presse, 2021). She will be joined by translator Valzhyna Mort and moderator Mark Lipovetsky. This event is part of our Contemporary Culture series. The Siege of Leningrad began in 1941 and lasted 872 days, resulting in the most destructive blockade in history. Already shaken by Stalin’s purges of the ’30s, Leningrad withstood the siege at a great human cost. Air Raid takes us through the archives of memory and literature in this city of death. Polina Barskova’s polyphonic poems stretch the boundaries of poetic form—this is what we’re left with after poetry’s failure to save nations and people: post-death, post-Holocaust, post-Siege, post-revolution; post-marriage and post-literature. How does language react to such a catastrophe? How does a poet find language for what cannot be told? This new translation of a leading contemporary Russian poet confronts English excavating its muteness, stutter, and curse.
Topic:
Arts, Military Strategy, Culture, Memory, World War II, and Poetry
Political Geography:
Russia, Europe, and Soviet Union