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Begin New Search Topic Capitalism Content Type Case Study Publication Year within 1 Year

1. For All the Tea in China: The English East India Company

Author:
Jamie Haworth and Sai Mirthipati
Publication Date:
02-2023
Content Type:
Case Study
Institution:
Oxford Centre for Global History
Abstract:
In Chinese mythology, Shennong was a deified emperor credited with discovering, among other things, modern agriculture, the use of fire, farmers’ markets and the Chinese calendar. As the story goes, one autumn afternoon his subjects were boiling water near a Camellia tree when a gust of wind blew some leaves into the pot. Intrigued by the fragrance, Shennong took a sip. Invigorated, he named the mystical infusion “cha”, thereby adding tea to the illustrious roster of his inventions. The Chinese character for “cha” depicts a man standing between “grass” and “tree” – a fitting, almost prescient characterisation that centres the story of tea on the story of humanity. For a millennium until the 1500s, tea was a closely guarded secret held by the Chinese elite. However, within the next three centuries, this elixir of life native to China would become a common commodity widely available across the Western hemisphere. Tea’s exclusivity lessened by degrees, eventually becoming a staple in working-class communities. As more people consumed tea, it became a complex and powerful economic driver – but not all by serendipity, despite Shennong’s myth. The Western thirst for tea led to competing schools of economic thought, financial systems of capital allocation and principles of governance that still characterise the modern world. Simultaneously, however, the Western thirst for economic power led to the development of the tea industry, a commodity that elites marketed in order to support colonial interests in India and China; tea would become inseparable from colonial identity. Chinese tea forced a shift in popular academic sentiment for trade, as part of a transition from a mercantilist zero-sum game to a Ricardian world of comparative advantage. The risks inherent in the tea trade prompted the development of the legal paradigms of limited liability and joint ownership. Furthermore, government-granted monopolies to ship tea prompted the populace to question the role of competition, government intervention and the ethics of running private armies that put state armies to shame. The story of tea includes the building of empires, the fighting of wars and the collapse of state powers. At the centre of it all was the East India Company and the imperial scramble to trade all the tea in China.
Topic:
Agriculture, History, Capitalism, Trade, British East India Company, and Tea
Political Geography:
China, Asia, and England

2. Rhodes Must Fall: The Legacy of Cecil Rhodes in the University of Oxford

Author:
Emma Day
Publication Date:
02-2023
Content Type:
Case Study
Institution:
Oxford Centre for Global History
Abstract:
On 9 June 2020, more than a thousand people gathered in central Oxford demanding that Oriel College remove the statue of imperialist and mining magnate, Cecil Rhodes. Congregating in defiance of the Covid-19 pandemic, protesters drew renewed attention to the long-standing struggle to decolonise education and tackle institutional racism at British and South African universities. They also knelt with fists raised for over nine minutes in tribute to George Floyd, a man whose recent murder at the hands of Minneapolis police marked only the latest atrocity in a long history of racialised violence in the United States. Amid the local and global reckonings over race and racism taking place in the wake of Covid-19 and Floyd’s murder, the 2020 Rhodes Must Fall protest marked the latest iteration in a fight to remove Rhodes from campuses that began over five years earlier.1 In 2014, after completing his master’s degree at the University of Cape Town (UCT) in South Africa, Ntokozo Qwabe won a Rhodes scholarship to study a Bachelor of Civil Law (BCL) degree at Keble College, University of Oxford. Qwabe arrived in Oxford amid growing calls for the removal of the statue of Rhodes back home. UCT students argued that Rhodes’s monument embodied the pervasive white privilege at the university, and that tackling those problems required removing his oppressive figure from campus. On 9 March 2015, students accelerated their demands for change. Political science student Chumani Maxwele hurled excrement at Rhodes’s statue. Others occupied UCT offices and posted the hashtag #RhodesMustFall to publicise their campaign on Twitter. One month later, UCT removed Rhodes’s statue from campus, inaugurating the Rhodes Must Fall movement. Although Rhodes fell in Cape Town, he remained standing at the University of Oxford. The abundance of tributes to Rhodes at the university may have surprised South African students arriving in Oxford, left wondering why Cecil Rhodes still enjoyed such an outsized public representation at one of the world’s oldest and most prestigious universities. Moreover, with Oxford’s own issues of institutional racism rooted in colonialism and slavery, South African students questioned why the many monuments to Rhodes did not provoke anger among Oxford’s staff and student body. After demanding that Rhodes fall in Cape Town, and asking, why not in Oxford, Qwabe brought the anti-colonialist movement to his new university.
Topic:
Imperialism, Capitalism, History, and Cecil Rhodes
Political Geography:
Europe and England

3. Robert Maxwell’s Expectations Gap: Regulation and Reputation in the British Communications Industry, 1981-91

Author:
Charlie Harris
Publication Date:
02-2023
Content Type:
Case Study
Institution:
Oxford Centre for Global History
Abstract:
During Robert Maxwell’s turbulent lifetime, the world knew him as one of the most successful businessmen in Britain, presiding over a publishing and media empire in direct competition with that of Rupert Murdoch. In 1991, Robert Maxwell died – at which point the world discovered that he was, in fact, far beyond bankrupt. As banks called in their huge loans, accountants found that his empire boasted £2 billion in debt. When he drowned, various auditors and authorities were close to catching him in an enormous fraud. Maxwell had stolen around £460 million from his employees’ pension funds and committed extensive stock fraud in order to manipulate the share prices of his empire. Accusations of fraud and mismanagement dogged Maxwell’s career, but to little effect. Beginning with a single publishing house, he built a media empire. His rivalry with Rupert Murdoch – and perhaps his emotional state, which was notoriously volatile and competitive – drove him to expand at an unsustainable pace, which he supported with confidence trickery and enormous loans. His debts quickly outstripped his assets. Desperately scrambling to repay the loans, he turned to stock fraud and his employees’ pension funds. Still desperate for capital six months before his death, Maxwell floated his largest-ever venture – Mirror Group Newspapers – which successfully attracted £250 million in investment, despite the destitution of its parent company. Public autopsies concluded that the blame lay not just with Maxwell, but with advisers, regulators, and complicit financial institutions. Maxwell killed himself (though some still speculate he was murdered) shortly before a scheduled meeting that would have uncovered his fraud. Maxwell did not leave his family destitute, but they no longer had immediate access to the lifestyle to which they had become accustomed. His sons continued working in the City of London. His daughter, Ghislaine Maxwell, continued to circulate in high society. Her crimes are now better known than her father’s; she is famous for her work as Jeffrey Epstein’s right-hand woman, procuring victims (often under-age) for Epstein’s “prostitution ring” (something of a misnomer, as the term implies consent). Both scandals implicated some of the most powerful figures of their day, and in both cases, th
Topic:
Communications, History, Capitalism, Industry, and Robert Maxwell
Political Geography:
Britain and Europe

4. Sexual Harassment in the “World’s Largest Store”: Managing Macy’s Department Store at the Start of the 20th Century

Author:
Mara Keire and Emma Day
Publication Date:
02-2023
Content Type:
Case Study
Institution:
Oxford Centre for Global History
Abstract:
Shopgirl Betty Lou Spence was modelling a nightgown for a customer when she first noticed her handsome and wealthy new employer and heir to the “world’s largest” store in New York City, Cyrus Waltham Jr, passing through her department. Betty was just one among his many working-class female employees, and Cyrus was initially oblivious to her beauty and charm. But, upon introduction, Cyrus was quick to pursue her. Despite belonging to different social classes and company rank, Betty and Cyrus bonded on dates to Coney Island; their relationship quickly blossomed into a marriage proposal. Betty and Cyrus’s unlikely romance provided the plotline of the 1927 box office hit, It. The success of It marked the rise of the department store. Housed in ornate buildings selling a vast selection of desirable goods, stores attracted large clienteles of mostly elite women who shaped new habits of consumption in the early 20th century.1 The women who travelled downtown to department stores helped others to feel safe venturing out on their own to shop. On arrival, the women freely perused the pretty dresses and gowns, lace underwear and ribbons, shoes, silks, leather goods, hats, jewellery, furniture, appliances, carpets, rugs, table linens and anything else for sale. Reflecting their popularity among women patrons, neighbourhoods with rows of fashionable stores, like Broadway in New York City, became known as the Ladies’ Mile.2 Department stores not only offered virtually anything a customer might possibly want in one place; their bounteous interiors made a trip to the department store an enjoyable day out for the whole family, with such lavish facilities as a post office, barber shop, and theatre.3 Whether in New York City, Paris or London, the service and spectacle that these new stores offered helped coin the term “palaces of consumption”.4 Shopgirls like Betty Lou Spence kept these new and ambitious enterprises running. In 1875, 120 salespeople worked at Macy’s New York flagship store, of whom eighty percent were women. Across the United States, the number of women working as salesclerks ballooned from 8,000 in 1880 to over 58,000 in 1890.5 By 1900, saleswomen and store clerks constituted the second-most common occupations for native-born, single working women.6 In 1913, the National Civic Federation, a policy reform organisation of business and trade union leaders as well as reformers calculated that nineteen firms nationwide employed 33,000 workers, of whom two-thirds were women.7
Topic:
Women, Capitalism, History, Sexual Violence, and Management
Political Geography:
North America and United States of America

5. Studio 54: The Discothèque that Reinvented Nightlife

Author:
Mario Stepanik
Publication Date:
06-2023
Content Type:
Case Study
Institution:
Oxford Centre for Global History
Abstract:
In a brief window of unbridled freedom in the late 1970s, New York City nurtured the emergence of many of the generation’s most prolific artists. During this period, the creative elite relaxed the classic division of society into lower and upper classes and established a new hierarchy based on personal charisma. With the right energy, persistence, and inventiveness, almost anyone could create a role for themselves which cemented their position in New York’s high society and beyond. A materially worthless silkscreen could thus become “a Warhol” and mark a watershed in art history. An untitled spray painting could become “a Basquiat” and sell for over 100 million dollars. A graphic nude photograph could become “a Mapplethorpe” and spark nationwide debates about the limits of free speech. These larger-than-life characters—often immigrants, people of color, LGBTQ people, or children of the underground—filled the void left by decades of tearing down social mores. At the heart of this freedom was New York City’s unregulated, sexually liberated, and narcoticsfueled nightlife, which made anything seem possible. In 1970s New York, you could start the evening with a performance of La Bohème at the Metropolitan Opera, then consume some concoction of stimulants in a bar in the meatpacking district, before concluding the night with an entirely anonymous sexual encounter at the piers of Greenwich Village. Or, you could kick things off with a Robert de Niro show at an East Village experimental theatre, stop by a director’s apartment for a private viewing of the forbidden Pink Flamingos film featuring legendary drag queen Divine, and then wander to the after-hours fetish club The Anvil where you might bump into Freddie Mercury dancing amidst masturbating men.1 The night was your canvas, and you could paint whatever you wanted. But no matter what, at some point you most likely attempted to get into a nightclub on Manhattan’s West Side called Studio 54.
Topic:
History, Capitalism, Nightlife, and Studio 54
Political Geography:
North America and United States of America