« Previous |
1 - 20 of 45
|
Next »
Number of results to display per page
Search Results
2. Robert G. Natelson on State-Driven Amendments to Restrain Federal Spending
- Author:
- Ari Armstrong
- Publication Date:
- 03-2013
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- Mr. Natelson discusses state-driven amendments to restrain federal spending, the processes of proposing and passing or rejecting such amendments, the safeguards in place for preventing a "runaway convention" that might fundamentally alter the U.S. Constitution, and more.
- Political Geography:
- United States
3. From the Editor
- Author:
- Craig Biddle
- Publication Date:
- 03-2013
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- Welcome to the Spring 2013 issue of The Objective Standard.
- Topic:
- Economics, Government, and Financial Crisis
- Political Geography:
- United States
4. The End of Central Banking, Part II
- Author:
- Richard M. Salsman
- Publication Date:
- 06-2013
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- Explains why central banking should be terminated and how it can be, focusing primarily on the U.S. Federal Reserve System.
- Political Geography:
- United States
5. After the Welfare State, edited by Tom G. Palmer
- Author:
- Ari Armstrong
- Publication Date:
- 06-2013
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- The modern welfare state began to take shape in the 1880s in Otto von Bismarck's Germany, and it took off in the United States in the 1930s under Franklin Delano Roosevelt's "New Deal." Now that the welfare state is thoroughly entrenched throughout most of the world, is there any reason to question its existence or any way to eliminate it? There is a reason and a way, and these are the subjects of the essays in After the Welfare State.
- Political Geography:
- United States and Germany
6. Letters to the Editor
- Publication Date:
- 10-2013
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- No abstract is available.
- Topic:
- Government
- Political Geography:
- United States
7. Louis Pasteur: A Light That Brightens More and More
- Author:
- Ross England
- Publication Date:
- 12-2013
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- On June 14, 1940, when the German army entered an undefended Paris, the seemingly unstoppable Nazi forces took full control of the city. But one door remained, at least temporarily, closed to them. When the Wehrmacht arrived at the Pasteur Institute and attempted to enter the basement crypt where the bodies of Louis Pasteur and his wife, Marie, were interred, they found an aging concierge blocking the path. The guard steadfastly and courageously refused to permit them entry to the tomb. This guard was not alone in his devotion to Pasteur. In a 1922 speech, the French ambassador to the United States, Jules Jusserand, described the incredibly high esteem in which Pasteur was held among the French people:
- Political Geography:
- United States and Germany
8. Notorious - Directed by Alfred Hitchcock
- Publication Date:
- 12-2013
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- To stop a Nazi plot, an American agent pimps the woman he loves to a dangerous Nazi. This is the premise of the drama and thriller Notorious, one of director Alfred Hitchcock's best films. Written by celebrated screenwriter Ben Hecht, Notorious was released in 1946 and stars Cary Grant as U.S. agent Devlin, Ingrid Bergman as the daughter of Nazi Alicia Huberman, and Claude Rains as Nazi Alex Sebastian. What lifts Notorious above the level of good thriller is the lead characters' internal conflicts and the story's ironic suspense. To set these up, Hitchcock masterfully establishes the characters' premises and problems to create a situation that he will play throughout the film.
- Political Geography:
- United States
9. Religion Versus Morality
- Author:
- Andrew Bernstein
- Publication Date:
- 12-2012
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- On the morning of September 11, 2001, Mohammed Atta and his minions flew stolen planes into the World Trade Center and the Pentagon, destroying the former and murdering thousands of innocent civilians. What motivated this atrocity? What filled the murderers with such all-consuming hatred that they were willing to surrender their own lives in order to kill thousands of innocent human beings? The clear answer is that these were religious zealots engaged in holy war with their primordial enemy—the embodiment of the modern secular West: the United States of America.In their evil way, the Islamists provide mankind with some clarity. They remind us of what real religion is and looks like—not the Christianity or Judaism of the modern West, watered down and diluted by the secular principles of the Renaissance and the Enlightenment; but real faith-based, reason-rejecting, sin-bashing, kill-the-infidels religion. The atrocities of 9/11 and other similar terrorist acts by Islamists do not clash with their creed. On the contrary, they are consistent with the essence of religion—not merely of Islam—but religion more broadly, religion as such. This is an all-important lesson that humanity must learn: Religion is hazardous to your health. Unfortunately, conventional views of religion hold just the opposite. Many people believe that religion is the necessary basis of morality—that without belief in God, there can be no ethics, no right or wrong. A character in Dostoyevsky's The Brothers Karamazov famously expressed this view: “In a world without God, all things become permissible.” In the 21st century, many people still believe this. But the converse is true. A rational, fact-based, life-promoting morality is impossible on religious premises. Indeed, religion clashes with every rational principle and factual requirement of a proper, life-advancing ethics. A proper ethics, one capable of promoting flourishing human life on earth, requires the utter repudiation of religion—of all of its premises, tenets, implications, and consequences. To begin understanding the clash between religion and human life, consider the Dark Ages, the interminable centuries following the fall of Rome in the 5th century AD. The barbarian tribes that overran Rome eventually converted to Christianity, which, in the form of the Catholic Church, became the dominant philosophic and cultural force of medieval Europe. Unlike the essentially secular classical world, or the post-Renaissance modern world, the medieval world zealously embraced religion as the fundamental source of truth and moral guidance. What were the results in human life?
- Topic:
- Health and Islam
- Political Geography:
- United States, America, and Europe
10. The Financial Crisis and the Free Market Cure: Why Pure Capitalism is the World Economy's Only Hope by John Allison
- Author:
- Ari Armstrong
- Publication Date:
- 12-2012
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- Imagine how great it would be to have your own inside tour guide to the modern financial crisis, someone able to comment on the crisis not as an onlooker, but as the leader for two decades of one of America's strongest financial institutions.
- Topic:
- Government and Law
- Political Geography:
- United States and America
11. Merchants of Despair: Radical Environmentalists, Criminal Pseudo-Scientists, and the Fatal Cult of Antihumanism by Robert Zubrin
- Author:
- Ted Gray
- Publication Date:
- 12-2012
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- Did you know that the U.S. government subsidizes forced sterilization of women throughout the Third World, and that both Republican and Democratic administrations have supported this policy? This is just one evil among many that Robert Zubrin documents in Merchants of Despair: Radical Environmentalists, Criminal Pseudo-Scientists, and the Fatal Cult of Antihumanism.
- Topic:
- Government
- Political Geography:
- United States
12. Ayn Rand Nation: The Hidden Struggle for America's Soul
- Author:
- Roberto Brian Sarrionandia
- Publication Date:
- 12-2012
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- The United States of America is heavily regulated and heavily taxed. For instance, in the “Dodd–Frank” Act—an 848-page federal law regulating almost every part of the U.S. financial services industry—one section, known as the “Volcker Rule,” lists 1,420 sub-questions that a bank must answer before it is allowed to engage in proprietary trading. Likewise, the Environmental Protection Agency dictates, among countless other things, where energy companies may and may not dig or drill for resources, how much and what kind of fuel or energy they may produce, and what kind of automobiles, air conditioners, and other machinery Americans may purchase and use. The list of federal laws and regulations goes on and on.
- Political Geography:
- United States and America
13. Treason: Liberal Treachery from the Cold War to the War on Terrorism
- Author:
- Joshua Lipana
- Publication Date:
- 03-2012
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- In Treason, Ann Coulter chronicles the anti-American actions of the leftist “liberals” in the United States from the Cold War to the beginning of the “War on Terrorism.” However, the book concentrates primarily on the Cold War, and fortunately so, as this is where Coulter shines.
- Political Geography:
- United States
14. An Interview with Governor Gary Johnson on What He Would Do as President
- Publication Date:
- 09-2011
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- Gary Johnson currently campaigns as a candidate for U.S. president with the same outspoken fidelity to free markets, limited government, and fiscal responsibility that guided his two terms as governor of New Mexico. Aside from making headlines earlier this year with his strong opposition to an antihomosexual Republican-circulated marriage pledge, which he called “offensive” and “un-American,” he has been neglected by the mainstream press and has been excluded from several televised debates. He presses on in a struggle from which higher-polling candidates have already dropped out. Johnson started a one-man handyman company in 1976 and over the next two decades developed it to employing one thousand people. Against the odds, he launched his campaign for governor in 1994 and carried his win to a second term, a governorship marked by his stand for “freedom across the board.” During his eight years in office, his main focus was responsible management of the government pocketbook, and he earned the nickname “Governor Veto” by vetoing more bills than the other forty-nine governors combined. He cut twelve hundred state job positions, cut taxes, reformed Medicaid, promoted school vouchers, privatized prisons, and helped eliminate the state's budget deficit. An unconventional Republican, he supports the right to abortion, the legalization of marijuana, and legal equality for homosexuals. Today he retains popularity among New Mexico's voters. Goal-driven, independent, and with a zest for life, he has competed in multiple Ironman Triathlons, summited Mt. Everest, and personally built his current home in Taos, New Mexico. He's a divorced father of two and lives with his fiancée. I spoke with him just before his strong campaign push in New Hampshire at the end of August. —David Baucom David Baucom: Thank you for speaking with me, Governor Johnson. Gary Johnson: Absolutely. DB: With the decline of the U.S. economy and the emergence of the Tea Party movement, people in America are finally asking questions to the effect of, What is the proper role of government? As a candidate for president of the United States, what do you regard as the proper purpose of government? GJ: The proper purpose of government would be to protect you and me against individuals, groups, corporations that would do us harm, whether that's from a property perspective or physical harm. And that would also apply to other countries. DB: Relating to that, how would you define “rights,” and where would you draw the line for what individuals can properly claim as a right? GJ: You know, my definition of it, I guess, is the whole notion that we have too many laws. And that when it comes to rights, that they really have a basis in common sense, that they really have a basis in natural law, if you will. Do unto others as you would have others do unto you. That government gets way, way, way too involved in trying to define that, as opposed to you and me working that out. DB: President Obama calls for “sacrifice” from everyone, but especially from “rich” individuals and corporations, whose taxes he wants to raise. You've said you don't think raising taxes on the rich is the way to deal with the financial crisis. As president, what would be your solution to the crisis? GJ: Well, I'm advocating the FairTax. I think we should scrap the entire tax system that we have and replace it with the FairTax. I'm talking about FairTax.org, for those who aren't aware of this proposal that I think has been around now for about ten years. By all free market economists' reckoning, it is what it is: it's fair, and it simplifies the existing tax system. So, by “simplify [the] existing tax system,” it abolishes the IRS and does away with all existing federal taxes: income tax, Social Security withholding, Medicare withholding, unemployment insurance, business-to-business tax, corporate tax. Replacing the current system would be a one-time federal consumption tax of 23 percent, which is meant to be revenue neutral, so we would still need to cut our spending by 43 percent, believing that part of revitalizing this country is balancing the federal budget and replacing it with the FairTax. . . .
- Topic:
- Development
- Political Geography:
- United States and America
15. An Interview with Sculptor Sandra J. Shaw
- Publication Date:
- 09-2011
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- I recently sat down with Sandra J. Shaw to ask her about her work, her views on art, and how she became a sculptor. Ms. Shaw's sculptures are owned privately throughout the United States and Canada, as well as in England, Australia, Bermuda, Singapore. Her work can be viewed on her website, www.sandrashaw.com, or by appointment. The interview is accompanied by several images of the works discussed. —Craig Biddle Craig Biddle: Thank you for joining me, Sandra. I know our readers will be delighted to hear from you and get a peek inside your fascinating world. Sandra Shaw: My pleasure. CB: Why did you choose a career in sculpture, how and when did it begin? SS: I didn't set out to become a sculptor; I had no interest in being an artist. I grew up in Canada, which did not have a thriving fine art culture that I was aware of, or a fine arts profession that was promising to me. The art schools where I grew up were preoccupied with anti-art. So I was not attracted to the art world or the lifestyle that I thought artists lived. That being said, I ended up becoming an artist simply because I love making art. I just couldn't get away from it. I tried. I did other things. For instance, I enjoyed writing and pursued a career in journalism for some time, which I thought would be an interesting living. But I never gave up my art. I've always made art from as long ago as I can remember. I drew throughout my childhood—that was my passion—and I knew I was developing a facility for art. So I always knew that I would have art in my life. While in high school I attended night classes at a couple of colleges to explore journalism and commercial art. I even made some headway in the commercial art business, making some album covers and posters for the music industry, of all things. But by the time I'd graduated high school, I knew I didn't want a career in commercial art. Sculpture came to the forefront when I was in my freshman year at university. I'd decided to pursue journalism and went to university so that I could become a knowledgeable writer. I didn't want to have writing skills without knowing something about the world. To pay tuition, I got a summer job working in the art department for the Royal Ontario Museum (ROM) in Toronto. At that time they were making a series of dioramas on the history of North American natives. A museum diorama is a three-dimensional scene that typically has figures and a painted or photographic backdrop. After a while it was apparent to me that the diorama project would be improved if they made better headway making the human figures. I knew the scenarios they wanted for the dioramas, so I drew up designs of the figures and showed these to the head of the art department. That's how I got the job of sculpting nine life-size human figures—my first job in sculpture, and three important years of studio experience in sculpture. I picked the simplest, most fully draped figures to do first, and left the mostly nude figures for last. This way I could master the head and hands in the beginning, and after a couple of years was able to sculpt the full figure. That was great training. It was how I converted my brain from drawing to sculpting in three-dimensional form. At the end of that project, I knew that I loved sculpture so much that it would be terrific if I could do this for a living. The idea of casting a figure into a permanent medium was thrilling to me, so I tried casting some small figures in bronze. And I eventually found that I could sell my bronzes. I continued to study the figure in life drawing classes, and advanced my skills at the National Academy in New York. CB: What have been the greatest influences on your work? SS: The great art of the past and the human figure per se. I think the greatest inspiration and influence began with the drawings of Michelangelo and Leonardo da Vinci. I don't remember how I got my hands on them, but for some reason I had access to Renaissance drawings before I was ten. I suspect that they were featured in art books that my parents had. I remember being thrilled by the line work and the kinds of human beings that Michelangelo and Leonardo portrayed. Although I didn't know it at the time, I was responding to the possibilities that those gorgeous, heroic figures suggested—they were god-like human beings with overarching gestures, physiques, demeanors. They captivated me. I examined and copied those master drawings. Later I had the opportunity to draw from Greco-Roman statuary in the ROM antiquities collection. That was long before I'd thought about sculpture, but I found classical form intriguing and pleasing. Those works showed a world of glorious men and women that stayed with me. Anatomical drawings also had a big impact on me—both master drawings and drawings in anatomy books for artists. Around age twelve I started copying anatomical drawings. I also recall drawing a human skull at a natural history museum. The facts of anatomy were core to my understanding of what I was looking at in the Renaissance works, and the structures of the human body fascinated me. Around the same time I became interested in the human face and in how a portrait can convey a kind of soul. I drew from photographs and from life—friends and classmates. The human figure and face have remained inspiring sources that translate for me a certain kind of life. . . .
- Political Geography:
- United States and Canada
16. A Time to Betray: The Astonishing Double Life of a CIA Agent Inside the Revolutionary Guards of Iran by Reza Kahlili
- Author:
- Daniel Wahl
- Publication Date:
- 09-2011
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- At the start of A Time to Betray, Reza Kahlili writes that this is "a true story of my life as a CIA agent in the Revolutionary Guards of Iran." As such, you might expect it to be a fast-paced thriller-and, if so, you'd be partially correct. A Time to Betray involves many intense moments, but its primary focus is on the choices that Kahlili and his two childhood friends made growing up in Iran, along with the sometimes-deadly consequences. One of those friends, Kazem, always took religion seriously, hated the Shah, and, when the Shah was overthrown, became a supporter of Khomeini and a devoted member of the Intelligence Unit of the Revolutionary Guards. Soon after the Shah's overthrow, Kazem asked Kahlili to join the Guards. Having just returned from studying in the United States and being eager to help improve his country, Kahlili joined. Looking back today, he explains that, like many Iranians, he naïvely believed Khomeini and the mullahs would keep their promise not to force their faith on Iranians. Kahlili's other childhood friend, Naser, was not so naïve. Although he, too, was happy to see the Shah overthrown, Naser began speaking out against Khomeini soon after. He explained his reasons to Kahlili: "Look around, Reza. Everything is changing. Banning the opposition parties, shutting down the universities, attacking whoever disagrees with them. They're taking our rights away. They're arresting innocent people for nothing more than reading a flyer." I tried to calm him down, attempting to soothe my own rattled nerves at the same time. "We're in a transition, and change is always difficult. Maybe you should be more careful. Things will get better, you'll see." Naser took a moment before speaking again. When he did, there was pain in his voice. "I wish I felt the same way, Reza. I don't want to argue with you, but if people don't speak up now, it will only get worse." (p. 60) Numerous times, we see the young Kahlili not wanting to take sides, simply wanting everyone, in spite of everything, to get along. Indeed, this approach appears to have been his MO from childhood. Kahlili writes that, as a child, he found it tough just to stand up to his mother and friends. How could he, as an adult, stand up to the government of Iran? Something compelling would have to happen-something that threatened or assaulted his values on a personal level. Unfortunately, something did. . . .
- Political Geography:
- United States
17. Nomad by Ayaan Hirsi Ali
- Author:
- Joseph Kellard
- Publication Date:
- 09-2011
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- Ayaan Hirsi Ali gained international recognition in 2004 after she and Dutch filmmaker Theo van Gogh made Submission, a documentary about the brutal oppression of women under Islamic law. In response to the film, a radical Muslim savagely murdered van Gogh on the streets of Holland and posted a note on the filmmaker's body in which he threatened Hirsi Ali's life as well. Nevertheless, in 2007 Hirsi Ali wrote Infidel, in which she recounts the horrors of growing up female under the rights-violating Islamic cultures in Somalia and Saudi Arabia; how she fled to and settled in Holland, worked menial jobs, attended university, and collaborated on Submission; and how, in 2003, she ran for and was elected to the Dutch parliament as a candidate with a single issue: to stop the oppression of and violence against Muslim women in Holland. In Infidel, Hirsi Ali championed the Western secularist ideals that she came to adopt as true and right—free inquiry, the equal rights of the sexes, individualism, and personal liberty. Since then, she has moved to the land that she declares in her follow-up book, Nomad, to be her final home: the United States. In this latest book, Hirsi Ali shares the observations and emotional journey she has made since leaving Europe and arriving in America, even as radical Muslims continue to threaten her life for her uncompromising condemnation of Islam. In some respects Nomad demonstrates that Hirsi Ali has not only retained the intellectual independence and moral courage at the heart of her prior book, but that she has also strengthened and developed her thinking on the secular values she came to embrace. For example, in Nomad she elaborates on Enlightenment principles, including free inquiry, individual freedom, and property rights, exercising a thought process that grasps fundamentals: Every important freedom that Western individuals possess rests on free expression. We observe what is wrong, and we say what is wrong, in order that it may be corrected. This is the message of the Enlightenment, the rational process that developed today's Western values: Go. Inquire. Ask. Find out. Dare to know. Don't be afraid of what you'll find. Knowledge is better than superstition, blind faith, and dogma. (p. 214) Hirsi Ali proceeds to correctly identify Enlightenment principles as this-worldly and thus incongruent with Islam: The Enlightenment honors life. It is not about honor after death or honor in the hereafter, as Islam is, but honor in individual life, now. It is about development of the individual will, not the submission of the will. Islam, by contrast, is incompatible with the principles of liberty that are at the heart of the Enlightenment's legacy. (p. 214) She powerfully illustrates her development in the contrasts she draws between herself on the one hand, and, on the other, her relatives and other devout Muslims, both of whom cling unquestioningly to their religion and clannish traditions such as “family honor.” . . .
- Topic:
- Islam
- Political Geography:
- United States and America
18. The Fear: Robert Mugabe and the Martyrdom of Zimbabwe
- Author:
- Daniel Wahl
- Publication Date:
- 09-2011
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- Many books have documented horrible details of what happens under dictatorship. The Fear: Robert Mugabe and the Martyrdom of Zimbabwe presents some of the most horrific. In it, Peter Godwin captures the recent and ongoing struggle of Zimbabweans under a reign of lawlessness and terror. The book begins in 2008, as Godwin is on his way "home to Zimbabwe, to dance on Robert Mugabe's grave" (p. 5). Despite rigging the latest elections and intimidating the voters, as he has for many years, the aging dictator has been rejected so resoundingly that it seems he will have to accept defeat. After flying into Harare, the capital of this formerly rich and now starving country, Godwin says that "[Mugabe's] portrait is everywhere still, staring balefully down at us." From the walls of the airport, as the immigration officer harvests my U.S. dollars, sweeping them across his worn wooden counter, and softly thumping a smudged blue visa into my passport. From the campaign placards pasted to the posts of the broken street lights, during our bumpy ride into the reproachfully silent city. Watched only by the feral packs of hollow-chested dogs, [Mugabe] raises his fist into the sultry dome of night, as though blaming the fates for his mutinous subjects. The Fist of Empowerment, his caption fleetingly promises our insect-flecked beams. (pp. 5-6) As Godwin makes his way into Harare, pickup trucks crowded with armed officers repeatedly pass him by. "The atmosphere," he says, "is tense with anticipation" (p. 8). Something historic is about to happen. Unfortunately, however, Mugabe does not concede defeat, and there is "no political grave upon which to dance"-at least not one belonging to Mugabe (p. 14). But there will be many graves soon, an untold number of them, as Mugabe and his goons "know the places they didn't do well" and plan to ensure they do better by terrorizing the local populace into changing their votes (p. 28). Godwin skillfully shows what led up to the impending massacre. According to him, there was no single point at which Mugabe the "liberation hero" became Mugabe the "tyrannical villain." And that, says Godwin, is because there was no metamorphosis: "Robert Mugabe has been surprisingly consistent in his modus operandi. His reaction to opposition has invariably been a violent one" (p. 30). Referencing the massacre of around twenty thousand civilians in Matabeleland soon after Mugabe first gained power, Godwin goes on to describe the nature and purpose of the latest postelection terror: [T]he murders are accompanied by torture and rape on an industrial scale, committed on a catch-and-release basis. When those who survive, terribly injured, limp home, or are carried or pushed in wheelbarrows, or on the backs of pickup trucks, they act like human billboards, advertising the appalling consequences of opposition to the tyranny, bearing their gruesome political stigmata. And in their home communities, their return causes ripples of anxiety to spread. The people have given this time of violence and suffering its own name, which I hear for the first time tonight. They are calling it chidudu. It means, simply, "The Fear." (p. 109) Although the name is new, Godwin points out that nothing has changed and that fear has always been the base upon which Mugabe's power has rested. If that truth does not always seem real to Zimbabweans, it is-at least according to Godwin-in part because of how so many have chosen to deal with it. In this dictatorship, he says, people use subversive nicknames to mollify the nature of what exists. . . .
- Political Geography:
- United States and Zimbabwe
19. Sanctum Sanctorum: The National Gallery of Art in Washington, D.C.
- Author:
- Lee Sandstead
- Publication Date:
- 12-2011
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- Author's note: An extensive gallery of original photography of the National Gallery of Art and its superb collection can be found here. If, like me, you hold that art is a necessity of ardent living, then experiencing art is one of the most crucial aspects of your life. And just as food is not meant only to be looked at in magazines but eaten—so too paintings and sculptures are not meant merely to be looked at in books, but devoured in person. This requires visiting museums, where most great art is housed. Photo credit: Lee Sandstead My favorite museum, after years of travel and thousands of hours spent in museums, is the West Building of the National Gallery of Art (NGA) in Washington, D.C. Although there are larger museums with bigger collections—most notably the Metropolitan Museum of Art in New York City—the NGA has a first-rate collection, a top-notch preservation policy, and a spectacular architectural setting. In America, museums on the East Coast have the strongest collections. Those such as the NGA, Met, and Museum of Fine Arts (MFA), Boston—recipients of the generosity of America's 19th- and early-20th-century collector-industrialists—contain the largest, most-diverse group of masters and masterpieces. Museum collections in the western and southern parts of the country tend to consist more of second-tier artists and artworks. The J. Paul Getty Museum in Los Angeles, for instance, is a well-endowed museum with a large but relatively weak collection. It has no original Vermeers, merely a copy of one. Likewise, its A Young Girl Defending Herself Against Eros is not the original by 19th-century master William Bouguereau, but rather a much smaller reproduction done mostly by his assistants. Although the Getty does have a Raphael, it is a minor, early portrait, rather than one of his celebrated Madonnas. The museum's Canaletto is not one of his giant panoramas of Venice, but a minor painting of the Arch of Constantine. By contrast, the NGA has four Vermeers, five Raphaels, and nine paintings by Sir Peter Paul Rubens; no West-Coast museum comes close to having masterworks on this scale. Leonardo da Vinci, Ginevra de' Benci, ca. 1474/1478. Housed at the NGA, this is the only painting by da Vinci in the United States. Although only in his early twenties when he painted Ginevra de' Benci, Leonardo was at his innovative best in this painting, placing the sitter in an outdoor setting, positioning the body in a three-quarter pose, and using a new medium—oil painting. Photo credit: Lee Sandstead. Created by an act of Congress in 1937, the NGA was formed largely from the donated collections of Andrew Mellon and Samuel Kress, and it features a robust collection of Renaissance, Baroque, rococo, neoclassical, Romantic, and American art. It houses the only painting by Leonardo da Vinci in the United States and important works of several masters, including Rembrandt, Boucher, Fragonard, David, and Bierstadt. . . .
- Political Geography:
- Uganda, United States, and Washington
20. This is Herman Cain! My Journey to the White House
- Author:
- Gideon Reich
- Publication Date:
- 12-2011
- Content Type:
- Journal Article
- Journal:
- The Objective Standard
- Institution:
- The Objective Standard
- Abstract:
- New York: Threshold Editions, 2011. 223 pp. $25 (hardcover). Reviewed by Gideon Reich In This is Herman Cain, Herman Cain attempts to convince the reader to support him in his run for president of the United States by telling the story of his life, with emphasis on his amazing business accomplishments. Although the impressive story is somewhat undercut by Cain's mixed politics and religious (even superstitious) beliefs, this self-confident, ambitious, and capable business leader appears to be an admirable man. Cain recounts his early childhood, growing up in segregated Atlanta “po', which is even worse than being poor” (p. 1). His father “worked three jobs: as a barber, as a janitor at the Pillsbury Company, and as a chauffeur at the Coca-Cola Company”; and his mother worked as a maid (p. 15). Nevertheless, thanks to his father's influence, Cain had a positive attitude: My attitude then—as it is to this very day—was that you take a seemingly impossible goal and you make it happen. That was one of the many lessons I learned from Dad: He never allowed his lack of formal education to be a barrier to his success. And he never allowed his starting point in life or the racial conditions of his time to be excuses for failing to pursue his dreams. Dad taught me the value of having dreams, the motivation to pursue them, and the determination to achieve them. (p. 14) According to Cain, he was ambitious from a young age, pursuing a series of ever more-challenging goals. He studied mathematics in college, then went to work in the U.S. Navy as a mathematician. When he learned that he was being passed over for promotions because he had only a bachelor's degree, he studied computer science at Purdue University and earned his master's degree in “one intense, demanding year” (p. 42). He did get promoted, and, at twenty-seven, achieved his first goal—a job that earned more than $20,000 a year (p. 44). . . .
- Topic:
- Education
- Political Geography:
- United States and New York
- « Previous
- Next »
- 1
- 2
- 3