1. Saudi Arabia’s New Nationalism: Embracing Jahiliyyah
- Author:
- Ilan Zalayat
- Publication Date:
- 07-2022
- Content Type:
- Commentary and Analysis
- Institution:
- Moshe Dayan Center for Middle Eastern and African Studies
- Abstract:
- For more than two-thousand years, the walled city of al-ʿUla has been laying peacefully in a northwestern oasis of the Arabian Peninsula. While in ancient times it was an important oasis on the Spice Route, in the modern era, only the approximately five-thousand inhabitants of this far-flung town on the Saudi periphery know it to be the home of well-preserved stone monuments made by Nabataean sculptors. Its relative anonymity stands in stark contrast to its world-renowned twin city in Petra of the Hashemite Kingdom of Jordan. However, ever since the de-facto Saudi ruler, Prince Mohammed bin Salman (“MbS”), became Crown Prince in June 2017, Saudi Arabia has gone to great lengths to publicize forgotten al-ʿUla: The government has invested $15 billion on advertising and developing the site, attracting hundreds of thousands of visitors.[1] The government also used the site to host the Saudi reconciliation with Qatar in 2021. Al-ʿUla was also the setting for the first-ever movie that was shot and produced in Saudi Arabia.[2] The counterintuitive choice to feature pagan monuments as the new symbol of Saudi Arabia,[3] a country that has long touted itself as the custodian of Islam, epitomizes the kingdom's effort to reimagine its pre-Islamic history in a nationalist frame.
- Topic:
- Islam, Nationalism, History, and Legitimacy
- Political Geography:
- Saudi Arabia and Gulf Nations